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Professional Tabla Accompaniment for Vocalists

byTejovrush JoshiAvailable for performances across India and onlineStarts from12,000 per concertView full gallery

Sangat is not just about keeping time; it is about creating a musical conversation. Whether you are performing khayal, thumri, or a devotional bhajan, my role is to listen and respond to the singer's emotions.

Glimpses from my Aai's performance at Dadar Matunga Cultural Centre. It is always a joy to accompany her and witness her mastery of the Jaipur-Atrauli gharana.

A short clip from a performance at the Sangeet Bhushan Pt. Ram Marathe festival, accompanying the esteemed Pt. Shounak Abhisheki ji. The energy on stage was incredible.

Playing 'laggis' for a semi-classical 'chaiti' composition sung by Sonal Shivkumar ji. Laggis are fast, catchy patterns used to conclude lighter classical forms.

Accompanying the power-packed vocal duo Krishna Bongane and Nagesh Adgaonkar at the Kalajayee Festival in Indore. This was a tribute to the legendary Pt. Kumar Gandharva.

An excerpt from a 'mehfil' with my Aai in Chicago. Here I am improvising on a 'Kayda' composition while she sings.

A clip from the magnificent concert at the Nita Mukesh Ambani Cultural Centre, where I had the honor of accompanying the legendary Carnatic vocalist, Smt. Aruna Sairam ji.

A snippet from a concert in Pen, accompanying a beautiful rendition of Raag Nand-Dhwani, a creation of Guru Vidushi Dr. Ashwini Bhide Deshpande.

From a performance with the brilliant vocalist Saurabh Kadgaonkar at Dadar Matunga Cultural Centre, exploring a composition in Raag Basant.

An impromptu rhythmic burst during a recent mehfil with the fabulous vocalist Neha Gurav. These spontaneous moments are the magic of live music.

A clip from a musical celebration for Padma Vibhushan Sangeet Martand Pt. Jasraj ji, accompanying vocalist Swar Sharma.

About The Art of Sangat: Vocal Accompaniment

For me, 'sangat' is a dialogue, not just accompaniment. I prioritize a dedicated rehearsal session before the actual performance to synchronize with the vocalist's unique style and emotional range. This preparation allows me to react instinctively on stage, whether I am supporting a delicate thumri or a complex khayal, ensuring the tabla elevates the singer's expression rather than overshadowing it.

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