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Solo Tabla Performances and Traditional Baithaks

byTejovrush JoshiAvailable for performances across India and onlineStarts from12,000 per concertView full gallery

Experience the rhythmic depth of Purab Gharana compositions in intimate baithaks and concert settings.

Trying my hand at composing a 'Rela' in Teental. This composition incorporates some intriguing combinations I've been working on during my practice sessions.

Presenting a beautiful 'Purab Kayda' from my guru, the late Pt. Bapusaheb Patwardhan ji, during a house concert in Chicago. This composition is a hallmark of the Farukhabad gharana.

Exploring a traditional 'Addha Rela' during a solo baithak in Chicago. This composition is known for its intricate patterns and requires precise fingerwork.

An excerpt from my tabla solo performance at the prestigious Gaayan Samaj Deval Club in Kolhapur. It was an honor to present my solo work at this historic venue.

A short solo improvisation in Rupak taal, a rhythmic cycle of 7 beats. This was part of my Aai's Gurupournima celebrations, a truly special occasion.

Offering a short tabla solo as a 'Seva' to Lord Ganesha during a concert in Chicago. Playing devotional music is a deeply spiritual experience for me.

Playing some compositions in Rupak taal with the talented Swaroop Diwan on harmonium during an intimate baithak. The setting was perfect for exploring the nuances of the taal.

A demonstration of a traditional 'Rela' in Tritaal. Relas are fast-paced compositions that showcase speed and clarity.

A short, impromptu tabla solo during a house concert. These intimate settings allow for a lot of spontaneous creativity and connection with the audience.

An intimate evening with the brilliant sitarist Ayan Sengupta. Here is a small solo piece I played during our performance together.

About Tabla Solo & Riyaz

When I perform a solo, the focus is on the musical conversation between the tabla and the listener. Whether it is an intimate baithak at your home or a formal stage recital, I tailor the compositions to the setting. I always arrive early to tune with the acoustic environment, ensuring the 'sur' and 'taal' are perfectly balanced for your audience.

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