The Art of Sangat: Tabla Accompaniment for Instrumentalists
For me, tabla is more than a rhythm; it is a conversation. Whether accompanying the delicate notes of a flute or the deep resonance of a sarod, I focus on being in the moment with the artist to create a seamless musical flow.
Playing 'laggis' with my dear friend and exceptional sitarist, Mehtab Ali Niazi. He is weaving his magic on the enchanting Afghani Dhun 'Anar Anar'.
A divine experience offering my musical 'seva' in Raag Darbari with the maestro Vidushi Kala Ramnath ji on her singing violin, in the presence of Guruji Swami Tejomayananda ji.
The playing of Sarod artist Pratik Shrivastava always has a calming effect. Here, I am trying to reciprocate that feeling with my tabla during one of our duets.
A throwback to a beautiful evening accompanying sitarist Ayan Sengupta. The joy and musical exchange during such baithaks are truly special.
A privilege accompanying the soulful flautist Rajat Prasanna at the iconic Prithvi Theatre for a morning concert. The acoustics and atmosphere of this venue are magical.
A poster for my performance with the ever soulful sarod player, Pratik Shrivastava, at a 'Swarsandhya' concert in Kandivali, Mumbai.
A virtual concert poster where I accompanied Dr. Shantanu Gokhale on the santoor, exploring the timeless masterpieces of the legendary Pt. Shivkumar Sharma.
A clip from a live concert with the eminent violinist Smt. Sangeeta Shankar ji at the Samarpan Festival. Accompanying such a maestro is always a great learning experience.
In a recording session with sarod player Pratik Shrivastava for our upcoming classical album. We are excited to share this music with you soon.
A short improvisation during a rendition of Raag Surdasi Malhar by sitarist Supratik Sengupta at the Acharya Bhatkhande Samaroh in Latur.
About The Art of Sangat: Instrumental Accompaniment
When I accompany an instrumentalist, my first priority is deep listening. I spend time during the sound check ensuring the tabla resonance perfectly complements the instrument, whether it is the high frequencies of a violin or the meditative depth of a sarod. It is about balancing the sound so the main artist feels supported, not overshadowed.
In Hindustani classical music, the tabla player is much more than a timekeeper. I view my role as a sangatkar, or collaborator. When I play alongside instruments like the sitar, sarod, or flute, I constantly adjust my laya (tempo) and dynamics to match the soloist's mood.
For a delicate piece, I keep the percussion soft and suggestive. When the tempo picks up, especially in a jugalbandi, I engage in a rhythmic dialogue that challenges and supports the artist. I have been fortunate to perform at iconic venues like Prithvi Theatre and for diverse audiences across Mumbai and beyond.
Whether you are hosting a formal concert, a corporate event, or an intimate baithak, I bring my own professional-grade tabla set and arrive early for a thorough sound check. My goal is to ensure the sur (melody) and taal (rhythm) are perfectly balanced, making the music the primary focus of the event. I believe in professional stage etiquette and traditional hierarchy, ensuring the performance remains respectful to the art form while engaging the audience.
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