Musical Recognition and Industry Presence
Teaching music is a responsibility that extends beyond the classroom walls. These glimpses capture my time on judgment panels at national music competitions, where I engage with fellow artists and witness the dedication of the next generation.
A press clipping from Jagran City Lucknow, covering the Sangeet Milon music competition where I was honored to be on the judgment panel.
A moment from the Sangeet Milon CVOI Music competition, seated with fellow judges and esteemed musicians.
A moment of mutual respect with a senior musician at the Sangeet Milon event. It is always an honor to be in the company of such great artists.
The panel of judges and chief guests at the Sangeet Milon music competition.
Participating in the lamp lighting ceremony to inaugurate the Sangeet Milon competition.
Another glimpse from the lamp lighting ceremony with Pt. Chhannulal Mishra ji at the Sangeet Milon event.
About In the Press & Additional Glimpses
Judging a competition is not just about marking points on a sheet. When I am at events like Sangeet Milon, my focus is on identifying the bhaav in a student's performance. It is a responsibility I take seriously, as it allows me to bring fresh insights back to my students at Swarveni Gurukul, helping them refine their own practice beyond just technical accuracy.
Maintaining the integrity of Hindustani classical music requires constant engagement with the wider community. My time on judgment panels at national-level music competitions like Sangeet Milon serves two purposes. First, it is a chance to honour the Guru-Shishya Parampara by interacting with fellow masters and hearing the upcoming generation of vocalists. Second, it keeps me grounded in the challenges that students face today.
When I return to my Gurukul in Rohini, I translate these observations into my teaching. Whether it is a workshop on Monsoon Ragas or a daily practice session, I often share anecdotes from these competitions. This helps my students understand that music is a live, breathing art form, not just a series of theoretical lessons.
If you are looking to learn, you will find that my classes are designed to bridge this gap. We focus on three core pillars:
- Deep Listening: Learning to hear the subtle nuances of a Raga rather than just the notes.
- Emotional Expression: Ensuring that every Swar carries the intended emotion, or bhaav.
- Practical Discipline: Understanding the consistent Riyaz required to sustain this long musical journey.
Whether you are a beginner looking to understand the basics or an advanced student preparing for stage performances, my guidance is tailored to your unique voice and pace. Music is a spiritual journey, and I am here to help you find your path.
Swarveni Gurukul
I am Pt. Ashish Narayan Tripathi. For me, music is a spiritual journey and a lifelong sadhana. Whether I am teaching at my Gurukul or evaluating talent at national stages, my focus remains the same—to nurture the authentic emotion in every raga.
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