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Instrumental Jugalbandi and Tabla Accompaniment

byTrilochan KampliBased in Bengaluru; Travels across IndiaStarts from7,000 Per TrackView full gallery

Jugalbandi is a conversation between artists. Whether you are playing the sitar, sarod, or sarangi, I focus on creating a rhythmic canvas that lets your melody take center stage.

Accompanying the masterful Ustad Rafique Khan saheb on sitar is always a profound learning experience. This video shows the dynamic interplay between the sitar's melody and the tabla's rhythmic cycles.

A studio session with my brother, Sarfaraz Khan, on the sarangi. The sarangi's sound is very close to the human voice, and my tabla playing aims to complement its soulful and emotive qualities.

On stage with Ustad Rafique Khan saheb during a sitar recital at the Courtyard Baithak series. My focus is always on the main artist, listening closely to respond to their musical ideas.

This poster was for "The Soul Within the Strings," a sarod recital with Smt. Debasmita Bhattacharya. Accompanying the sarod involves matching its powerful and intricate rhythmic patterns.

A moment before a performance with Ustad Rafique Khan saheb (sitar) and Sarfaraaz Khan (sarangi). Playing with such incredible musicians is an absolute pleasure and pushes me to be my best.

This video captures highlights from our 'Chaupaal' concert, featuring a sarangi solo by Sarfaraz Khan. The audience reactions show how powerful an instrumental performance can be.

A poster for a sarangi solo concert, highlighting the "endangered strings" of this beautiful instrument. I am passionate about helping showcase the sarangi through my tabla accompaniment.

An announcement for a Sitar Soirée with the celebrated sitarist Sahana Banerjee. I look forward to creating a memorable musical experience with her at the Courtyard Baithak.

A black and white shot of Ustad Rafique Khan saheb during his sitar performance. My role as an accompanist is to provide the rhythmic canvas upon which the main artist paints their melody.

About Instrumental Jugalbandi

When performing a jugalbandi, the most important aspect is the ability to listen. My approach involves responding to the lead melody, whether it is the intricate phrasing of a sitar or the vocal-like quality of a sarangi. I do not just keep the beat, I aim to provide a rhythmic dialogue that enhances the overall mood of the piece.

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