Tribe Verified

Mastering Kathak Padhant and Layakari

byEshani SatheOnline classes available; Travels across Mumbai Metropolitan AreaStarts from1,800 per monthView full gallery

Kathak is as much about mathematics as it is about movement. I simplify the intricate rhythms of the Jaipur Gharana, breaking down complex padhant and layakari into accessible steps for every dancer.

Having some fun with Padhant. Here, I'm demonstrating the descending krama (sequence) of Dhamaar taal, ending with a spontaneous tihai. This is how we play with rhythm in Kathak.

A challenging exercise in Layakari. I'm attempting to recite 12 speeds of the bol 'Takita' in 60 seconds, all while maintaining a steady 4-beat cycle. This is a glimpse into our advanced workshops.

Think Teentaal is boring? Let me show you how a few changes in presenting the taali-khaali and a bit of layakari can make it incredibly interesting. Here is a complex Tihai to challenge you.

A quick challenge for you. Can you figure out how many speeds of Jhaptaal I am reciting in this video? This exercise helps in understanding the concept of Ekgun, Dugun, Tigun, and beyond.

A breathless but fun exercise for both Kathak dancers and Tabla players. I'm reciting one bol in 7 different speeds. The last speed is the trickiest. Can you identify which 'gun' it is?

Let's learn a Tihai together in a simple, step-by-step manner. By breaking down the patterns into small, repeatable parts, even complex compositions become easy to learn.

Many students requested a tutorial on Jhaptaal Tigun, so here it is. I share a three-step method using a nagma and ginti (counting) to help you access the rhythm pattern with more ease.

This is part two of my rhythm exercises for all dancers. We hold a clap of four and progressively increase the number of recited digits, a method that helps build a strong internal sense of rhythm.

A simplified version of Jhaptaal Kramlaya in Ginti (counting). This exercise, moving from the 1st to the 5th speed, is a great way for dancers to practice rhythmic progression.

Let's practice Teentaal Kramlaya Padhant together using Tatkaar bols. This call-and-response format makes it easier to internalize the different speeds and rhythmic cycles.

About The Teacher's Corner: Padhant & Layakari

Many dancers struggle to sync their footwork with the nagma (melody). In my classes, we don't just dance—we recite. I teach you to use ginti (counting) as a bridge, breaking down complex patterns into manageable, repeatable bols so you stop guessing and start internalizing the rhythm.

Similar work from other experts

Browse through Curated picks from other experts on mytribe