Tabla Workshops & Masterclasses
Chinmaya Naada Bindu Gurukula
Pricing Guide
Monthly Ajrada Gharana Mentorship
Core Curriculum & Schedule
- Direct instruction in Ajrada Gharana style including complex Qaidas, Relas, and Syahi/Chanti usage.
- Access to classes Monday to Saturday (4:00 PM - 7:00 PM window) at Triveni Kala Sangam.
- Small group setting emphasizing the Guru-Shishya Parampara for peer observation and direct correction.
Cultural & Technical Skill Building
- Training in Padhant (vocal recitation of bols) and proper hand placement (Nikas).
- Immersion in Indian classical music etiquette (Tehzeeb) and instrument interaction.
- Performance eligibility for annual academy events based on proficiency.
Intensive Technical Workshop Pass
Module Focus
- Full-day or 2-day format covering 'Art of Accompaniment' and rhythmic improvisation strategies.
- Technical breakdown of Ajrada fingerwork, specifically the balanced use of index and middle fingers.
- Live demonstration of complex Tihais and Chakradar compositions.
Participant Benefits
- Interactive Q&A time to solve specific technical hurdles like speed, clarity, and stamina.
- Certificate of Participation signed by Ustad Akram Khan.
- Includes basic hospitality (Tea/Coffee/Lunch) subject to venue arrangements.
Private Masterclass & Lecture-Demo
Session Components
- Exclusive 2 to 3-hour Lecture-Demonstration (Lec-Dem) delivered by the 7th Gen Maestro.
- Includes professional fee for one accompanying artist (Harmonium/Sarangi) for Lehra support.
- Presentation of rare, undocumented compositions from the Ajrada archives.
Customization & Engagement
- Topic tailored to the audience (e.g., 'Mathematics of Rhythm' or historical overview).
- Live critique and brief audition of select students from the hosting group.
- Note: Sound system, stage setup, and local transport are to be arranged by the booker.
About Tabla Workshops & Masterclasses
Why I Teach Tabla
Music isn’t just what I do, it’s what moves me. I’ve been lucky (saubhagya) to learn the art of tabla from my gurus in the Ajrada Gharana. Now, it’s on me to pass on this tradition. You’ll see me as both a teacher and someone always learning from the drum.
My Style: Guru-Shishya Parampara
I teach the way I was taught - through the Guru-Shishya Parampara. This means it’s not just about lessons, but about really getting into the spirit and history of tabla. It’s respect, dedication, and a bit of old school. You’ll get more than just how-to’s; you’ll get the why behind every bol.
What Happens in My Workshops
- We go deep into Ajrada Gharana tabla lessons - playing, yes, but also understanding what makes our style different.
- Learn what it means to be a musician, not just a player. Being a solid accompanist is a big deal, and we work on that.
- I love sharing tabla improvisation techniques, so you’ll try making your own rhythmic stories.
- You’ll get to play and study legacy tabla compositions from legends like Pt. Shamta Prasad ji.
Ways to Learn With Me
- Group workshops - one or more days, usually with a bunch of students, sometimes in cool places like universities.
- Masterclasses for those who already play and want to go deeper.
- Long-term discipleship for folks who want to go all in (there’s even a Ganda Bandhan ceremony for that).
All I ask is you show up with an open mind and heart, ready to really enjoy (lutf uthana) the music.
Meet your Expert
Akram Khan
55 connects in last 3 months
My Story
Aadaab, I’m Akram Khan. Mausiki is my jaan (life). Born in Ajrada Gharana, son of Ustad Hashmat Ali Khan, I grew up with tabla rhythms echoing everywhere. Guru Purnima is always special - I remember my gurus, their blessings. Started Tabla Academy so this legacy lives on, passing it to my son Zargham too. My father’s journey in 'Mausiqi Meri Manzil' inspires me daily. Yeh hai mera safar, mera riwaaz (This is my journey, my tradition).
My Work
Tabla Performances & Recitals - I play solo tabla recitals, duets, and accompany Hindustani classical artists. Each show is different, every beat is alive.
Ajrada Gharana Style - My tabla follows Ajrada Gharana’s unique qaidas, relas, and old compositions. I keep this tradition alive in every performance.
Art of Accompaniment - When I play with other musicians, it’s like a baatcheet (conversation). Improvising on the spot, matching their mood, making music flow.
Workshops & Collaborations - I teach tabla improvisation workshops, share the stage with legends, and help students dive into the cultural side of tabla.
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