Indian Classical Tabla Performance
Available across Pune
I perform live Indian classical tabla, solo or as accompaniment, in the Punjab Gharana style for any event or audience.
Pricing Guide
Concert Accompaniment (Sangat)
Pre-Event Synchronization
- Briefing on Raags and Taals to ensure improvisational chemistry.
- Precision tuning of the Dayan to match the main artist's pitch (Scale A#, B, C).
Performance Capabilities
- Punjab Gharana style playing with crisp Nikas and resonant bass.
- Dynamic volume control to support improvisation without overpowering.
- Spontaneous execution of mathematical rhythmic conclusions (Tihai).
Technical Requirements
- Arrival 45 to 60 minutes early for a detailed sound check.
- Requirement for dedicated microphones (SM57 or similar) for both drums.
Solo Recital & Interactive Baithak
The Repertoire
- Structured progression from Peshkar to Kayda, Rela, and Gat compositions.
- Vocal recitation (Padhant) of rhythms before playing to explain the mathematics.
- Narrated history of compositions and anecdotes from the Gharana lineage.
Setup & Acoustics
- Premium concert-grade instrument setup optimized for solo projection.
- Can perform purely acoustic for intimate gatherings (up to 30 guests).
Support Artist
- Includes coordination for a Lehra player (Harmonium or Sarangi) to keep the time cycle.
- Note: Lehra player fees may be billed separately depending on the artist level selected.
About Indian Classical Tabla Performance
My Tabla Story
Music is my life, and the tabla is my way of connecting with it. I trained in the Punjab Gharana tabla style, learning from my Guruji, Pt. Yogesh Samsi ji. This tradition shapes everything I play, but I'm always listening, soaking in new ideas from other musicians too - music never stops teaching.
What I Offer
I perform Indian Classical Tabla for all kinds of audiences. No matter if you understand every nuance or you’re just curious, my goal is to make the experience special for you.
- Tabla solo recitals: Here, the tabla takes center stage. I play traditional pieces and improvise, often with Lehra harmonium support. These solos are intense - pure rhythm and mood.
- Hindustani classical accompaniment: I love collaborating, whether it's with a Santoor, Flute, or supporting vocalists. Every sangat (accompaniment) is a musical conversation, not just background.
Venues & Vibes
You’ll find me on big festival stages, but I honestly cherish the small setups - baithaks and mehfils, where it’s just the music and the people, no frills. Acoustic baithak performances are raw and real, sometimes no microphones, just the sound filling the space.
Why I Play
Each concert, whether grand or cozy, is another chance for riyaz (practice) and sharing. I’m always learning, always grateful. If you want genuine tabla, not just a show, this is what I love doing.
Meet your Expert
Onkar Todkar
23 connects in last 3 months
My Story
Namaskar, I’m Onkar. Tabla is my heartbeat, but I also pick up a paintbrush now and then – helps me focus, you know? Most days, I’m a student first, learning from Pt. Yogesh Samsi ji. That Guru-shishya bond, it’s my anchor. If I’m not deep in riyaz or on stage, I’m probably somewhere up in the mountains, or just lost in thought about random things. Keeps life interesting.
My Work
Tabla Performances - I play solo tabla recitals, join Indian classical music accompaniment, and perform at festivals or cozy baithak concerts.
My Style & Training - Learnt in the Punjab Gharana tabla tradition, under Pt. Yogesh Samsi ji, but always exploring new compositions.
Collaborations - Love jamming and learning with other artists – that’s where the fun and growth really happens.
