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Street Fashion Photography for High-End Campaigns

byShreyans DungarwalShoots across Mumbai & travels pan-IndiaStarts from95,000 per 8-hour shiftView full gallery

The city is my studio. From neon-lit Tokyo alleys to the gritty pavements of Mumbai, I use the chaos of the urban landscape to create cinematic fashion narratives.

Shooting in front of a ramen shop in Japan. I love the contrast between the high-fashion gown and the everyday street scene. The lines and colors of the location create a perfect frame.

An unconventional pose on a Tokyo sidewalk. This is about finding interesting shapes and lines in an urban environment and using them to create a unique, high-fashion image.

Venice Beach, Los Angeles. Sometimes you just get lucky with what you find. The vintage van provided the perfect color palette and retro vibe for this impromptu fashion shot.

A cool, blue-toned shot on a city bench. The lighting is intentionally moody to create a cinematic, after-hours feel.

Using the architecture and a strong iron gate as a backdrop. The model's backward glance and the cool color grade give this street portrait an editorial edge.

A daring shot on a crosswalk in Tokyo. The red car adds a pop of color and a sense of danger, making the image feel dynamic and alive.

Capturing motion on the streets of Tokyo. The blur of the model running across the crosswalk creates a sense of urgency and energy.

A powerful, stationary pose in the middle of a Tokyo crosswalk. The symmetry of the lines on the road draws the eye directly to the model.

Using the street markings as a graphic element in the composition. This pose is unconventional and adds an artistic, almost abstract quality to the fashion shot.

A walking shot on a quiet Tokyo street. The over-the-shoulder glance creates a sense of narrative, as if the viewer has just caught a fleeting moment.

About On The Streets: Global Fashion Shoots

Street photography isn’t about just finding a cool background; it is about hunting for the right light in the chaos. When I shoot on location, I don’t always rely on a massive, distracting lighting rig. Instead, I scan for existing sources—a stray neon sign or the glow from a shop window—and use that to sculpt the shot. You are paying for an eye that sees the potential in a crowded alleyway, ensuring the final image feels natural yet polished.

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