Jewellery & Accessory Photography
Available across Mumbai
Pricing Guide
Social Media & Hero Shots (Half Day)
Concept & Direction
- 4 hours shooting duration
- Pre-shoot mood boarding for cinematic or moody aesthetic
- Focus on close-up hero shots using dramatic shadows and sculpted light
Production & Gear
- Shot on Sony Alpha high-resolution cameras
- Profoto lighting setup including softboxes and reflectors
- 1 Photo Assistant included
- Tethering to laptop/iPad for immediate preview
Post-Production & Deliverables
- 5 to 8 high-end retouched images
- Detailed frequency separation, metal shine enhancement, and stone clarity adjustments
- High-Resolution JPEGs and Web-Optimized JPEGs
- Digital and Social Media usage license included
- Note: RAW files are not provided
Lookbook & Catalogue Shoot (Full Day)
Scope & Planning
- 8-hour full day shift
- Coverage for approx. 15-20 jewellery looks on a model
- Balanced lighting style ensuring product visibility with editorial flair
- Hands-on posing direction for the model
Technical Setup
- Specialized modifiers including optical snoots and strip boxes for texture
- 2 Photo Assistants for complex setups and rapid changes
- Digi-Tech services with live monitoring on calibrated screen
Editing & Output
- 20-25 professionally retouched images
- Color grading to match actual metal tones (Gold/Rose Gold/Silver)
- Contact sheets within 48 hours; Final edits within 7-10 working days
- High-Res JPEGs and web resizes (No RAWs)
Premium Advertising Campaign
Creative Direction & Narrative
- Extensive concept development and lighting design strategy
- Art direction using props, custom backdrops, and atmosphere (fog/haze)
- Focus on storytelling images for billboards and print ads
High-End Production
- Advanced lighting with colored gels, gobos, and spotlights
- Crew includes 1 Digital Operator and 2 Senior Assistants
- Usage of hand-painted backdrops or textured sets
Premium Deliverables
- 10-12 Master images with magazine-grade retouching
- Advanced editing for clothing drape, dodging/burning, and macro-level cleaning
- 16-bit TIFF files for large format printing and High-Res JPEGs
- Commercial usage rights for print and outdoor advertising included
- Note: Stylist, MUA, and Models billed separately at actuals
About Jewellery & Accessory Photography
How I See Jewellery Photography
For me, every shoot is about chasing that one frame where your jewellery feels like the hero in a movie. I’m obsessed with light – I use it to sculpt, not just to brighten. My style is moody, cinematic, and all about making your pieces stand out so people actually stop scrolling.
What Sets My Work Apart
- I craft every shot with dramatic lighting. Deep shadows, sharp highlights, that luxury jewellery photography vibe.
- Every collection gets its own story. Whether it’s a Velvet Shadows look or a full-on editorial jewellery photoshoot, I make sure we build a concept that feels fresh.
- Details matter. Texture, cut, craftsmanship – all are captured sharply, so your accessory actually looks as good as it feels in real life.
The Process - Collaboration & Execution
Before we touch the camera, we sit, chat, and decide the vibe. It’s always collaborative – aisa kuch kar sakte hain apan (we can do something like this). Once we lock the vision, I pull together my go-to team – stylists, models, and makeup artists who are as hungry as me.
- I direct every detail on set. Sometimes it’s just, “Chin down… bhai, light bus only on the eyes.”
- We use pro-grade gear for that signature, cinematic finish.
- I handle all the final edits myself. You get polished images, not RAW files – because the story isn’t complete till I finish post.
What You Get
- Complete campaign shoots – ready for billboards.
- Editorials and lookbooks with a high-fashion accessory campaign feel.
- Close-up jewellery portraits that are all about the details.
Meet your Expert
Shreyans Dungarwal
669 connects in last 3 months
My Story
I’m Shreyans. If you train with me, you’ll never be anyone’s assistant again. I want people with guts, with hunger, not scared to mess up. I’ve mentored folks who now run the show—real leaders. My own path’s been wild: Tokyo, New York, LA, Mumbai. Sometimes I’m chasing light in Kamimeguro, sometimes lying on a Colaba street listening to the rain. Plans change, magic happens. Style takes time, don’t rush. Keep at it.
My Work
Fashion, Commercial & Jewellery Photography - I shoot fashion campaigns, beauty editorials, and jewellery advertising—always pushing for something fresh.
Obsessed With Light - I geek out over technical lighting setup—think optical snoot or just chasing natural catchlight on the street.
Directing With Vision - I guide models with clear direction—mean looks, attitude, chin down. It’s a team effort, always.
Improvising On The Go - One light, five lights, whatever works. Could be a studio or Mumbai street, camera or phone—doesn’t matter.