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Conceptual & Surreal Brand Photography

byShreyans DungarwalShoots across Mumbai & travels pan-IndiaStarts from95,000 per 8-hour shiftView full gallery

I push the boundaries of conventional photography by building narrative-driven worlds. No safe shots, just high-concept visuals that blur reality.

A surreal portrait created by compositing two images. The concept explores duality and the inner monster, resulting in a visually shocking and memorable image.

Part of a series exploring themes of suffocation and breaking free. The model is wrapped in plastic, with a single, hard light source creating a ghostly, abstract silhouette.

A surreal take on natural beauty. The model is surrounded by a sea of apples, creating a dreamlike, almost biblical scene with warm, golden lighting.

A conceptual shot using a mirror to create a "two-faced" illusion. The pose, with the model kissing her own reflection, explores themes of self-love and identity.

A primal scream captured with a mirror. The reflection adds a second dimension to the pose, creating a powerful and raw image of release.

Another shot from the plastic wrap series. The way the light passes through the material creates an ethereal, almost liquid effect around the model's form.

In this shot, I used digital manipulation to warp the light and plastic, creating a swirling, liquid-light effect that enhances the surreal and chaotic mood.

A ghostly silhouette created by backlighting the model through a sheet of plastic. The image is abstract and focuses on form and light rather than a clear portrait.

A mind-bending pose using a large mirror. The reflection creates a physically impossible posture, resulting in a surreal and captivating fashion image.

A quiet, contemplative moment using a mirror. The reflection creates a sense of duality and introspection, with the model's hands framing her reflected face.

About Beyond Reality: Conceptual & Surreal

People often think 'surreal' just means Photoshop. It doesn't. For my plastic-wrap series, we spent hours rigging the lighting to get that liquid refraction effect in-camera. My team and I don't believe in fixing it in post; we build the geometry of the shot on the day. If the raw capture isn't sharp and the light isn't cutting, no amount of frequency separation will save it.

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