Concert and Performance Highlights
A look at my musical journey across stages in Karnataka, from Hindustani vocal accompaniment to tabla solos and fusion jugalbandis.
Flyer for 'Shankarotsava 2023', where I accompanied Sri Siddhartha Belmannu for a Hindustani Classical Vocal concert in Jayanagar, Bangalore.
An announcement for 'Mahotsav 2024' in Karkala, where I performed a tabla solo and also accompanied a Hindustani vocal concert.
A flyer for a multi-artist event in Karkala. I enjoy days where I get to perform in different capacities, both as a soloist and an accompanist.
The schedule for the Karkala Sangeetha Mahotsav, showing my accompaniment for a Hindustani vocal concert by Ms. Madhushree Narayan.
Another part of the Karkala festival flyer, highlighting the range of performances including vocal and santoor recitals.
Announcement for 'Swara Music for Life' in Hubli, where I had the pleasure of accompanying the flute maestro Pandit Pravin Godkhindi.
A poster for the Banyan Tree event in Hubli, celebrating the musical heritage of the Hubli-Dharwad belt.
Flyer for the Bagalkot Rashtreeya Sangeetotsava, where I accompanied a flute recital by my dear brother Sri Shadaj Godkhindi.
A poster from the national music festival in Bagalkot. Performing in different cities allows me to connect with art lovers across the region.
An invitation in Kannada for a music program in Bagalkot, featuring a solo concert and vocal performances.
About Concert & Event Flyers
Every event featured here requires distinct preparation. Whether I am tuning for a vocalist in a packed Jayanagar auditorium or setting up for an intimate baithak in Hubli, my focus is always on the acoustic balance—ensuring the rhythm supports the melody without overshadowing the main artist.
These flyers represent more than just dates on a calendar. They are the documentation of my conversations with the tabla. When you see a concert announcement, it often follows a specific technical rhythm I have developed over the years.
The Preparation Process
Every performance, whether it is a Hindustani classical vocal recital or a fusion jugalbandi, starts long before the curtain rises. For auditorium shows, I allocate at least an hour for arrival to manage the sound check. This involves balancing the Dayan (treble) and Bayan (bass) levels to ensure the sound carries clearly through the house system. For baithaks or unplugged home gatherings, the challenge is acoustic—I adjust my hand weight to suit the room size so the percussion provides support rather than volume.
Collaborating with Artists
I find my energy in the live exchange with fellow musicians. You will see flyers featuring flute maestros like Pandit Pravin Godkhindi or vocalists from various schools of thought. My approach to accompaniment is rooted in listening. Whether the repertoire is Khayal, Thumri, or Bhavageete, I aim to match the artist's energy, providing steady thekas that allow the main performer to improvise freely.
Performance Variety
My work takes me to different environments. Some flyers showcase large music festivals like the Bagalkot Rashtreeya Sangeetotsava, while others highlight community-centric tributes. I am comfortable across these spectrums, from the structured nature of classical concerts to the improvisational spirit of fusion sets. If you are planning an event or a concert series, these examples show how I integrate into various musical ensembles to bring a balanced, rhythmic foundation to the stage.
Roopak Kallurkar
I am Roopak, and for me, the tabla is a way to speak without words. I am grateful to have performed alongside legendary maestros and talented peers across India, finding true joy in every rhythmic conversation we create together.
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