Tabla Accompaniment
Available across India
Pricing Guide
Classical Concert Accompaniment
Scope of Performance
- Role: Lead Tabla Accompaniment for one main artist (Vocalist or Instrumentalist).
- Genre: Hindustani Classical (Khayal, Thumri) or Carnatic Fusion contexts.
- Duration: Standard concert slot coverage (90 minutes to 3 hours).
- Standard: Performance aligned with All India Radio 'B High' Grade quality.
Logistics & Rituals
- Arrival: 60 minutes prior to curtain raiser for setup.
- Sound Check: Dedicated 20-minute check to balance Dayan (Treble) and Bayan (Bass) levels.
- Tuning: Precise instrument tuning to match the main artist's specific scale.
Equipment
- Gear: Professional-grade Tabla sets (2 distinct scales) to accommodate pitch changes.
- Attire: Formal Indian ethnic wear (Kurta, Pajama, Nehru Jacket).
Private Baithak & Light Music Session
Performance Experience
- Setting: Tailored for intimate Chamber Concerts (Baithaks), high-end home gatherings, or Pooja evenings.
- Repertoire: Adaptable for Light Music (Bhavageete), Dasavani, Abhangs, and Semi-Classical renditions.
- Style: Softer, melodic playing style suited for lyrics-heavy compositions.
Technical Specifics
- Acoustics: Expertise in 'unplugged' (no mic) setups, controlling volume dynamically via hand weight.
- Ensemble: Sync capability with light music accompaniments like Keyboard or Harmonium.
Logistics
- Duration: Up to 3 hours of performance time.
- Travel: Includes travel within Bangalore Urban district limits.
Fusion Jugalbandi & Collaborative Project
Curated Performance Scope
- Format: Specialized accompaniment for Jugalbandis (e.g., Flute & Violin) or Fusion Bands.
- Complexity: Execution of complex time signatures and Sawal-Jawab (Call & Response) sections.
- Fusion Style: Mixes Hindustani Thekas with Carnatic mathematical structures.
Rehearsal & Logistics
- Rehearsal: Includes one dedicated rehearsal session (up to 3 hours) on a separate day.
- Sound Check: Comprehensive 45-60 minute technical rehearsal for multi-instrument balance.
Technical Setup
- Mics: Configuration of multi-mic setup (individual mics for Chat & Dagga) for broadcast-quality sound.
- Versatility: High-energy performance style suitable for large stages and festivals.
About Tabla Accompaniment
I see tabla as my mother tongue, taught by my appa and guru, Pandit Rajgopal Kallurkar. When I’m on stage, I’m not just playing along - I’m having a conversation with the main artist, matching their mood and energy. My job is to listen first, then respond, building something new together every time.
How I Approach Accompaniment
Whether it’s a huge auditorium or a tiny baithak, I keep my focus on giving steady, sensitive rhythm that supports the lead. I like to keep things energetic and alive, but I never steal the spotlight. Even with senior maestros or close friends, I treat every performance as a fresh collaboration.
The Range of Music I Accompany
- Hindustani classical is my base, where I’ve played tabla for vocalists in khayal, bandish, and regularly join instrumentalists - sitar, bansuri, sarod, violin, you name it.
- I love Carnatic music too, and often play for jugalbandi concerts, especially those Hindustani-Carnatic fusion events where tabla meets mridangam.
- You’ll also find me at devotional music programs and bhavageete evenings, from intimate gatherings to big festivals like Mysore Dasara. For me, badukonthara bhavageete (life itself is like a light song).
Why I Do This
Everything comes from daily riyaz, but real magic is in the live exchange with artists and audience. Every concert, I feel lucky to be part of that shared energy.
Meet your Expert
Roopak Kallurkar
16 connects in last 3 months
My Story
Hey, I’m Roopak. Tabla came to me at home, thanks to my dad and guru, Pt. Rajgopal Kallurkar. Grew up with beats in my ears, rhythm’s just part of me. Chardham Yatra changed me, brought a calm I try to pour into my music. Got 'B High' grade at AIR, first go – felt blessed, honestly. Music’s not just my job, it’s my way of living and sharing what I feel.
My Work
What I Do - Tabla solo gigs, Hindustani and Carnatic accompaniment, jugalbandi, fusion, and Bhavageete (light music) collabs.
How I Play - Tabla is like chatting with my hands. Every show, whether solo or with legends, is about connecting.
Collabs & Jugalbandi - Love playing with others - violin, sitar, vocals, you name it. Big stage or small baithak, I’m in.
Style & Experiments - Rooted in classical but always up for trying new stuff. Did a fun tribute to Dr. Rajkumar once.