Sitar Performances and Indian Classical Music Workshops
Experience the authentic sounds of the Sitar through solo recitals, jugalbandi, and educational workshops tailored for diverse audiences.
A lecture-demonstration in progress for students at Ramagya School, organized by SPIC MACAY. My goal in these sessions is to make Indian classical music accessible and engaging for young listeners, explaining the structure of Raags and Taals in an interactive format.
Exploring the melodic contours of Raag Nand in a jugalbandi with a talented violinist. These collaborative sessions are a core part of my musical journey, blending the Sitar with other instruments to create a unique dialogue.
During a Q&A segment at a concert in Kerala. I always encourage questions from the audience as it transforms a performance into a shared experience, allowing for a deeper appreciation of the art form.
Namaskar. Here is a personal invitation to an upcoming performance at the Aavartan Music Festival. I believe live music creates a special connection, and I am honored to share the stage with Ustad Akram Khan Sahab on Tabla.
A proud moment for me, this article in The Hindu covers a Sitar recital at Hyderabad House, concluding the India-Bangladesh bilateral talks. It is a privilege to represent Indian classical music on such significant occasions.
A close-up view of the intricate hand movements required for playing 'taans' or fast melodic passages in Raag Gawati. For those interested in learning the Sitar, mastering these techniques is a rewarding part of the journey.
Performing for a large assembly of students in an open-air setting for SPIC MACAY in Indore. Bringing classical music out of the concert hall and to new audiences is a fundamental part of my work.
A portrait with my Sitar, taken in Vrindavan. The instrument is more than just wood and strings; it is a lifelong companion and the medium through which I express my dedication to music.
About Featured
My work spans the intimate setting of the concert stage to interactive educational demonstrations at schools and universities. Whether you are looking for a solo recital, a collaborative jugalbandi, or a structured workshop on the nuances of Raags and Taals, I ensure every session includes live Tabla accompaniment to maintain the integrity of the performance.
My Sitar journey is deeply rooted in the Imdadkhani Gharana tradition, emphasizing the Gayaki Ang, or vocal style of playing. Every performance is an offering—a chance to explore the expansive possibilities of a Raag. I maintain a strict standard for my engagements: I do not perform solo in isolation. To capture the full rhythmic architecture of Hindustani classical music, I am always accompanied by a professional Tabla artist. This ensures that the dialogue between the Sitar and the Tabla is present in everything from high-energy fusion sets to slow, contemplative Alaap recitals.
Beyond the stage, I view education as a critical pillar of my work. My lecture-demonstrations for schools and institutions are designed to demystify the structure of Taals and Swaras, bridging the gap between historical tradition and the modern listener. For those seeking personal mentorship, I offer 1-on-1 sessions that focus on precise technique, from wrist geometry to plectrum (Mizrab) angles. I travel extensively across India for these events, from cultural festivals in Kerala to academic institutions in Delhi-NCR, bringing a commitment to authentic classical arts wherever I go.
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