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Styling Zeenat Aman: Celebrity and Commercial Fashion Work

byKayalTravels across India for shoots; Studio in Santacruz West, MumbaiStarts from50,000 per day (8 hours)View full gallery

From creating custom disco gowns to crafting iconic looks for Netflix, these projects with Zeenat Aman represent the dream intersection of my work. It has been a career highlight to translate her legendary grace into visual stories for brands like Tanishq and HUL.

Action! A behind-the-scenes video of Zeenat Aman bringing the disco era back to life for Mia by Tanishq. Watching her dance in an outfit my team and I created from scratch was pure magic.

More moments from the Mia by Tanishq 'Bring Back Disco' shoot. This video captures the incredible energy on set and the process of creating a look worthy of a legend.

A look into the creation of the custom disco gown. From fabric swatches and sequin samples to the final pleated bodice on the mannequin, this is how we brought the vision to life in just 36 hours.

The view from the monitor on the set of the Mia by Tanishq shoot. Seeing the final frame come together with the lighting, set design, and the custom-styled outfit is the most rewarding part of my job.

The official cast photo for 'The Royals' announcement on Netflix. I styled Zeenat Aman in a regal, layered look that perfectly embodied her timeless grace for this high-profile event.

The OG's guide to a glow up. I styled Zeenat Aman for this multi-brand HUL campaign, creating a chic and sophisticated look with a pop of color that feels both timeless and modern.

Another look from the HUL brand endorsement shoot. Here, I styled Zeenat Aman in a bold, red satin blouse to create a powerful and confident look for brands like Lakmé and Vaseline.

About Styling an Icon: Zeenat Aman

The challenge here was not just the design, it was the timeline. For the Mia by Tanishq disco campaign, we had exactly 36 hours from sketch to final fit to ensure the gown moved perfectly while Zeenatji danced. That is the reality of commercial styling, it is less about the glamour you see in the frame and entirely about the industrial steamer, fabric tape, and last-minute fittings that happen right before the director shouts action.

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