Live Vocal Performance
Available across India
I sing live for Carnatic concerts, dance recitals, devotional events, and ghazal gatherings, and can add konnakol vocal percussion or work with other musicians as needed.
Pricing Guide
Traditional Carnatic Vocal Concert
Performance Specs
- Duration: 120 to 150 minutes of continuous vocal performance.
- Repertoire: Traditional format with Varnam, Kritis, and a centerpiece Ragam Tanam Pallavi with improvisation.
- Orchestration: Coordination with accompanying artists (Violin, Mridangam); note that accompanist fees are usually separate.
Production Quality
- Sound Check: Rigorous 30 to 45 minute pre event sound check for studio quality live audio.
- Presentation: Performed in premium Silk Dhoti and Kurta attire.
- Engagement: Song introductions and context provided in fluent English and Kannada for mixed audiences.
Classical Dance Vocal Accompaniment
The Arangetram Package
- Scope: Lead vocals for a full dance repertoire (Margam) including Varnam, Padams, and Tillana.
- Time Commitment: Up to 3 hours of stage time plus two separate 3 hour rehearsal sessions included.
- Rhythmic Specialization: Expert rendering of Konnakol (vocal percussion) and Jathis to accentuate footwork.
Professional Coordination
- Synchronization: Tight coordination with Nattuvangam and Mridangam to match the dancer's tempo and improvisational pauses.
- Composition: Assistance in refining vocal percussion structures for specific dance items.
- Stage Presence: Disciplined demeanor and posture that complements the visual aesthetic of the dance.
Devotional & Ghazal Session
Session Details
- Duration: 90 minutes of curated performance.
- Genre Mix: A blend of Devotional music (Devaranama, Abhangs) and light classical Ghazals based on client preference.
- Setup: Solo performance supported by electronic tanpura or high quality backing tracks for a full band feel.
Experience
- Interaction: Casual and interactive format with explanations of lyrics (Sahitya) for the guests.
- Versatility: Option to include classical based film songs (e.g., AR Rahman hits) upon request.
- Audio Management: Volume controlled performance suitable for indoor living rooms or temple halls.
About Live Vocal Performance
What Sangeetha Means to Me
Music isn’t just my job, it’s the way I live. Sangeetha is everything – it’s how I connect, how I give back. As my gurus taught me, 'Kereya Neeranu Kerege Chelli' (Give the lake's water back to the lake) is what I try to do every time I sing. When I’m on stage, tumba khushi padtini (I feel so happy), because sharing music means everything.
What I Offer Live
I bring my voice to all kinds of events - from full Carnatic concerts to intimate ghazal nights. Connecting with the feeling behind each song is the goal, whether it’s a heavy classical piece or something light and devotional.
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Carnatic concert vocalist: I perform classical kacheris, mostly with violin and mridangam. If you need Bharatanatyam vocal support, I’ve done arangetrams, group productions, and solo recitals. I love singing for dance, especially with live orchestras.
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Devotional music live: Singing bhajans at temple festivals, like Ramanavami or Shivarathri, is close to my heart. Sometimes I join Nagar Sankeertans (musical processions) too.
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Ghazal performance on stage: I enjoy singing ghazals for smaller gatherings. There’s something special about the intimacy.
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Konnakol vocal percussion: I add rhythm to live dance with konnakol - vocal percussion patterns that lift the energy of the whole show.
Collaboration & Travel
Working with dancers, fellow musicians, and gurus is the best part. I’m part of The Art Quartet - we mix vocals, dance, mridangam, and flute for something different. I’m based in Bengaluru but I travel wherever music calls, from India to the US. If you want a performance that’s honest and rooted, I’m ready.
Meet your Expert
Rohit Bhat
69 connects in last 3 months
My Story
Namaskara, Rohit Bhat naanu. Yenappa ivanu, sumnage haadu helthavne antha yochne madthidira? (Wondering why I randomly sing?) Honestly, I never started with formal music training. Bimba in Hanumanthanagar was like family - we learnt everything, not just music. My first real push came when someone told my parents, 'illa, ivanu chennagi haadtane, dayavittu avanige formal training ge serisi' (No, this boy sings well, enroll him for training). Even my siblings found courage on stage thanks to Bimba. Blessed, I am, for this path.
My Work
My Services - I do Carnatic vocal for dance recitals, Bharatanatyam live ensemble, music composition, ghazals, devotional songs, film music coordination, and konnakol.
The Live Experience - Mostly you’ll see me with a group on stage, especially for Bharatanatyam. The blend of vocals, mridangam, violin, flute – pure energy.
Music for a Cause - I try to support lost art forms like Harikatha music revival, joining programs that bring these traditions back.
My Process - Sometimes ideas come fast – like 80 minutes of music in 4 days, just trusting my rhythm and voice.
Beyond Classical - Carnatic is home, but I love ghazal performance Bengaluru style and film songs. AR Rahman, rain, Bengaluru – magic.
