Behind the Canvas: My Exhibition Journey & Process

The Studio as a Repository

My artistic process begins in the studio, a space not merely for production but for the preservation of vanishing craft. Here, I spend hours applying the 'woven-bamboo' texture—a technique inspired by the basketry and palm-leaf weaving of my tribal ancestors. Each piece of canvas is stretched and prepared with the intent to document what is often overlooked in our rapid transition toward modernity.

Exhibitions and Dialogue

The images shown here capture moments from various events, including the 'Roopa-Bheda' Annual Art Exhibition at Sir J.J. School of Art. For me, an exhibition is not a static display of finished goods; it is a vital interaction. Whether I am at a residential art camp or a gallery setting, I value the opportunity to stand beside works like 'Bhaarat Maata' and explain the philosophical underpinnings of my practice to students and collectors alike.

Interaction and Philosophy

I believe that art must communicate a 'subconscious struggle'—the internal conflict between our ancestral roots and our present-day aspirations. When visitors engage with my paintings, the conversation often shifts from visual aesthetics to the historical and social themes I aim to address. This interaction, captured in these moments, is the culmination of my work. It validates the effort, from the charcoal sketches to the large-format acrylic works, confirming that the stories of our village life still resonate with a wider audience.