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Behind the Canvas: My Artistic Process and Recognition

byAbhijeet PatoleConsult online, ships artwork across IndiaStarts from8,000 per subject (A3 Size)View full gallery

Explore the technical discipline and observation that define my practice. From live portrait demonstrations to award-winning narrative paintings, this collection reflects the journey from concept to finished canvas.

I am honored to be receiving the Maharashtra State Art Award in the professional category at Jehangir Art Gallery. My painting was also featured on the catalogue cover.

A proud moment, presenting a soft pastel portrait to the esteemed artist Padma Shri Mr. Vasudeo Kamath, who was the Chief Guest at the Sir J.J. School of Art annual exhibition.

Receiving The Art Society of India's award for Best Entry at Jehangir Art Gallery. My two awarded paintings, "Self Conversation" and "Grandfather," are shown here.

Here I am with my painting "Love & Hunger" after receiving the Prafulla Dahanukar Art Foundation's Kalanand Merit Grant Award.

Receiving the Kalanand Bronze Grant Award for my painting "Hope of Innocent Flowers" from the Prafulla Dahanukar Art Foundation.

This short video, produced with Sukham Gallery, provides a glimpse into my artistic journey and my focus on exploring social constructs through the lens of realism.

Conducting a live portrait demonstration for the annual art exhibition of Abhinav Kala Mahavidyalaya in Pune.

Another view of my live demonstration in Pune, showing the model and my initial brushwork on the canvas.

The finished portrait of Padma Shri Mr. Vasudeo Kamath, which I created using soft pastels.

The framed soft pastel portrait of Mr. Vasudeo Kamath, ready for presentation.

About Behind the Canvas: Process & Recognition

For every commission, I prioritize a rigorous process that begins with deep observation and a digital consultation. Whether you are seeking a live demonstration for an event or a conceptual painting for your office, my method involves translating your specific narrative into texture and form using professional-grade oils or pastels. I approach each project as a form of social research, ensuring the final piece carries the same weight as the work I exhibit in galleries.

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