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Film, TV & Commercial Styling Portfolio

byAnushka TugnaitBased in Mumbai & Delhi; Travels pan-India for shootsStarts from18,000 Per LookView full gallery

I design visual identities that help characters come alive, whether for high-octane action films, elegant TV dramas, or fast-paced commercial shoots.

A powerful shot of Amy Jackson as Patricia Novak in the action film "Crakk". I designed this tactical look, featuring a black leather blazer and a determined expression, to establish her as a formidable character ready for action.

The full cast from the poster shoot for the TV drama "Vanshaj". I styled the leading ladies in these grand, elegant gowns to reflect the show's theme of legacy and opulence, using rich colors like royal purple and deep teal.

Presenter Karan Sawhney styled for the Indian Super League broadcast. This modern pinstripe suit paired with a simple white tee creates a look that is sharp, professional, and perfect for live television.

A classic and cool look I styled for John Abraham. The simple combination of a white t-shirt and a well-fitted denim jacket is timeless and showcases how I create effortless style for celebrity shoots.

A behind the scenes moment of me making final adjustments to Vidyut Jammwal's costume on the set of "Crakk". This is where the character's look comes together, ensuring every detail is perfect before the camera rolls.

This is from a commercial I styled for beatXP, featuring cricketer Shubman Gill. The styling transitions between athletic wear and casual outfits to match the brand's energetic and versatile identity.

An intense, close-up film still of Amy Jackson in "Crakk". Her look, with the high ponytail, earpiece, and functional tank top with a holster, was designed to be both practical for action sequences and visually striking.

A candid moment on the cold outdoor set of "Crakk" in Poland with Vidyut Jammwal. My focus here is always on the character's wardrobe, like his striped puffer jacket, while also managing the practicalities of a demanding shoot.

About Featured

I treat every costume as a key component of the storytelling process rather than just clothes. Before we even source a single item, I dive into the script to understand the character's background, ensuring the final look—whether it's functional tactical gear or a grand evening gown—feels authentic and helps the talent perform their best on camera.

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