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Tabla Accompaniment and Training for Gurbani Kirtan

byJasmehar SinghOnline classes and in-person lessons across DelhiStarts from500 per hourView full gallery

Experience the rhythmic soul of Gurbani Kirtan. Whether you need professional accompaniment for a shabad or want to learn the sacred art of tabla, I am here to share my journey.

A Gurbani Kirtan performance in TeenTaal. Notice how the tabla rhythm provides a steady and uplifting foundation for the vocalists. Learning to accompany shabads is a special focus I offer.

Here I am playing in Dadra Taal, a 6 beat cycle, during a live Gurbani telecast. This taal has a flowing, gentle feel that is perfect for many devotional compositions.

This clip shows a close up of a 'Tihai' I played during a kirtan. A Tihai is a rhythmic phrase repeated three times to land perfectly on the 'Sum' or first beat, adding a beautiful conclusion to a musical line.

A powerful shabad about spiritual heroism. The tabla here is played with energy to match the valorous theme of the composition, showing how rhythm can convey emotion.

In this kirtan performance, I am playing a 'Chakkardaar Paran' within the TeenTaal framework. This is a complex composition that adds a layer of rhythmic intricacy to the performance.

Part four of a series on playing 'Sangat' in Dadra Taal. Consistency and clarity are key when accompanying other musicians in a Gurdwara setting.

Part three of the Dadra Taal series. You can hear how the tabla and harmonium work together, creating a seamless musical experience for the Sangat.

Part two of the Dadra Taal series. This clip focuses on maintaining the rhythmic cycle while the lead vocalist improvises.

This is the second part of a TeenTaal Sangat performance. Playing in a group requires deep listening and the ability to respond to the other musicians in real time.

A clip from a live kirtan telecast. My role as a tabla player is to provide unwavering rhythmic support, allowing the Gurbani to be the main focus.

About Tabla for Gurbani Kirtan

When I play for Gurbani, my goal is sangat—total connection with the shabad and the vocalist. You won't just see me keeping time; I am listening to the breath and the emotion of the shabad, adjusting my Dadra or TeenTaal to match the flow so the rhythm supports the meditation rather than dominating it.

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