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Editorial Fashion Magazine Photography Features

byShreyans DungarwalShoots across Mumbai & travels pan-IndiaStarts from45,000 per shoot (Half Day)View full gallery

Magazine features aren't just about good lighting, they are about building a narrative that jumps off the page. I have worked with publications like Hunter and Darkly to create visuals that do not just fill space, but actually command attention.

The cover feature for Hunter Magazine. A powerful close-up is all about the eyes. We used minimal lighting to focus all the attention on her direct gaze, creating a sense of borrowed authority and silent confidence.

An inside shot from our Hunter Magazine editorial. The styling with the loose tie and open shirt, combined with the dynamic hair movement, creates a feeling of effortless power. The lighting is soft but directional, sculpting her form.

Capturing motion and attitude for the Hunter Magazine spread. The wind in her hair and the casual pull of the tie add a layer of narrative to this studio portrait, making it more than just a static fashion shot.

A dynamic jump shot for our Hunter Magazine feature. Freezing this moment of action required precise timing and lighting to highlight the movement of the clothes and the model's athletic grace.

The cover for Darkly Magazine, featuring a gothic-inspired narrative. This shot combines two models in a dramatic pose, lit to create a sense of dark elegance and mystery, perfect for a special edition on fearless fashion.

From our "Divine Dissonance" series in Darkly Magazine. I love building these small, cinematic sets in my studio. This shot, with its provocative theme and moody mix of strobe and LED light, is about creating a world within a frame.

A wider shot from the "Divine Dissonance" editorial. The scene is set with candles and props to build a narrative. The lighting is designed to feel like a still from a gritty, independent film.

Another moment from the Darkly Magazine editorial. The model's interaction with the props, like the candle and glass, adds to the story of rebellion and dark temptation. The lighting isolates her against the carefully constructed set.

This shot from our Darkly Magazine feature uses a cross projection from an optical snoot to add a symbolic layer to the scene. The interplay of light and shadow between the two models creates a palpable tension.

About Published Work: Magazine Features

Getting a feature printed requires more than just a good camera. For the Darkly magazine series, we spent hours designing the lighting setup, combining strobes with constant LEDs, just to nail that cinematic, gritty mood. You need a team that understands the difference between a pretty picture and a magazine-ready asset, and that is exactly what I bring to every set.

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