Published Fashion Editorial Photography
A selection of editorial photography featured in international magazines and platforms. These projects highlight my approach to visual narrative and collaborative creative direction.
A striking portrait for designer Ruhr, featured on PhotoVogue. The image uses a textured, warm-toned wall as a backdrop to complement the colors of the ethnic wear.
An artistic portrait from a test shoot, selected for a feature on Vogue. The image plays with light and shadow to create a classic, painterly feel, highlighting the draped yellow fabric.
A cinematic wide shot for an Amama Jewels campaign, published on PhotoVogue. The composition and use of natural, directional light create a quiet, contemplative atmosphere.
A framed portrait for Ruhr India, featured on PhotoVogue. The composition uses architectural elements and deep shadows to create a moody and elegant setting for the traditional attire.
A soft, naturally lit portrait for Ruhr India, selected by PhotoVogue. The play of light and shadow across the wall adds texture and depth to this serene fashion shot.
An overhead shot for a Flanelle Magazine editorial. The composition is unconventional, capturing the model in a moment of repose that highlights the tailoring of the suit.
A dynamic, full-body shot for Flanelle Magazine. The image captures movement and the flow of the wide-leg trousers against a minimalist studio background.
A modern pose for a Flanelle Magazine editorial. The low-angle squat and clean background create a strong, graphic image that feels contemporary and fresh.
A classic black and white profile shot for Flanelle Magazine. The soft focus and natural light create a timeless and gentle portrait.
A portrait of actor Ishwak Singh for HT City, featuring a bold, printed suit. The low-angle perspective and direct gaze create a powerful and confident image.
About Published Editorials
Getting a shoot published starts long before the camera shutter clicks. My process relies on detailed pre-production. I create narrative mood boards that align hair, makeup, styling, and lighting design. This ensures the editorial concept remains clear to everyone on set, from the stylist to the production crew, well before we start shooting.
Every editorial project on this page represents a specific creative challenge. Whether shooting for Flanelle Magazine or capturing an actor for HT City, the goal is always to move beyond standard imagery into something that tells a distinct story.
The Collaborative Process
Photography is not a solo act. When I approach an editorial shoot, I function as part of a larger unit. My workflow involves:
- Concept Development: Before we touch a camera, we define the narrative. This includes color palette design and specific lighting choices.
- Lighting Design: I adapt my lighting to the environment, whether that means using complex, tethered studio setups with gels and snoots or manipulating natural light on location.
- Team Coordination: I work closely with art directors, stylists, and makeup artists to ensure the final frame is technically precise and visually cohesive.
Technical Standards
For high-end editorials, I employ tethered shooting. This allows the creative team to view images on a monitor in real time, ensuring that garment fall, pose, and expression are exact. This is standard practice for the commercial campaigns and magazine features I produce, ensuring that no detail is lost from concept to final edit. My post-production process involves editorial-grade skin texture work and cinema-style color grading to maintain a consistent aesthetic across the entire series.
Aditi
I am Aditi, an image maker splitting my time between the UK and India. My work focuses on building a visual story through tight collaboration with stylists and art directors, ensuring every frame contributes to a cohesive concept.
Find specific photography services
Use the search bar to explore my services or specific shoot styles.
More from Fashion & Commercial Photography by Aditi