Our Heritage and Embroidery Process
Step into Sameeksha, where we preserve traditional needlework through mindful practice and create personal heirlooms that tell your story.
This is a page from my mother's journal from 1963 when she learned tailoring and hand embroidery. I have inherited her love for the craft, and this legacy is the soul of Sameeksha Studio.
A close-up of the miniature garments from my mother's 1963 tailoring journal. The finesse and care with which she made these tiny pieces over 60 years ago is truly inspiring.
More details from my mother's journal, showing miniature dress designs. Her creativity and skill have been my guiding light throughout my 25 years with Sameeksha.
A beautifully embroidered miniature frock from my mother's 1963 journal. Preserving and continuing this legacy of hand skills is my life's work.
Miniature children's clothes from my mother's journal. Her dedication to her craft is something I strive to emulate every day.
A collection of miniature shirts and overalls from my mother's tailoring and embroidery journal. This is the heritage that Sameeksha is built upon.
More miniature blouses from my mother's 1963 journal. It is amazing to see how these have been preserved.
Two more miniature dress designs from my mother's journal. Her work is a constant source of inspiration for me.
A collection of miniature white garments from the journal, showcasing different tailoring techniques she learned.
My mother's journal, featured during a visit from Sally of Textile Travels. It's a piece of my personal history that I love to share.
About Our Story & Process
When you examine my work, look at the reverse side of the fabric. I teach my students that the back must be just as neat as the front—a true hallmark of authentic, traditional hand embroidery. It is this commitment to hidden quality that ensures your piece is not just beautiful, but crafted to last.
At the heart of Sameeksha lies a 1963 tailoring journal that belonged to my mother. Those delicate miniature garments and intricate embroidery samples were not just practice pieces; they were the foundation of my own journey. Today, I continue that legacy by teaching hand embroidery as a meditative practice rather than just a decorative task.
In a world dominated by mass production, my studio in Koramangala operates on a different rhythm. We prioritize slow fashion, where each saree, blouse, or accessory is individually conceptualized. You are involved in the design process—selecting colors and motifs that reflect your personality—ensuring the final product feels like a natural extension of yourself.
Whether you are joining me for a Kasuti workshop or commissioning a piece, the focus remains on the technique. We do not rush. We practice mindfulness, patience, and precise needlework. From teaching beginners to navigate a hoop to mastering complex Zardosi or Kantha stitches, my goal is to pass down these skills to the next generation, ensuring this heritage stays alive, one stitch at a time.
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