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A World of Stitches: Global Embroidery Styles

bySameekshaVisit studio in Koramangala; Service available across BengaluruStarts from1,200 per pieceView full gallery

Embroidery is a universal language. From the geometric precision of Japanese Sashiko and the upcycled layers of Indian Kantha to the heritage work of Kasuti, I explore 25+ global styles to add texture and story to your fabrics.

This is a custom-made Mangalgiri saree featuring Sashiko embroidery, a traditional Japanese craft. The geometric patterns are created with a simple running stitch, resulting in a piece that is both elegant and minimalist.

A close-up of a Sashiko motif on the Mangalgiri saree. The beauty of this technique lies in its simplicity and the rhythmic quality of the stitching.

The border and butis of the Sashiko-embroidered saree. The combination of linear and floral patterns creates a balanced and harmonious design.

Another view of the Sashiko embroidery, showing how the patterns are arranged across the body of the saree.

Detail of the floral Sashiko buti. Even with a simple running stitch, it's possible to create beautiful and evocative shapes.

The full layout of the Sashiko patterns on this custom-made saree. The diagonal arrangement adds a dynamic and modern feel to the traditional craft.

A different angle of the Sashiko-embroidered saree, highlighting the texture of the cotton fabric and the delicate white threadwork.

The scattered motifs on the Mangalgiri cotton saree give it a light, airy feel, making it perfect for elegant daywear.

This video shows the details of the Sashiko embroidery on the cotton saree, giving a sense of the texture and craftsmanship involved.

On World Embroidery Day, I love to celebrate the diversity of this global craft. Embroidery is a universal language that connects us through stories of heritage and handwork.

About A World of Stitches

When we choose a style, it is less about trends and more about how the thread interacts with your specific fabric. Whether it is the rhythmic running stitch of Sashiko on heavy cotton or the dense heritage work of Kasuti on silk, I prefer to look at your piece in my Koramangala studio to see how the patterns drape before we commit to the full project.

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