Capturing the Human Form: Live Figure Studies in Oils
Live figure studies are all about catching the energy of the moment. Whether it's the fall of light on a pose or the raw gesture of the human form, these sessions are where I feel most connected to my craft.
This oil on linen figure study was completed over a weekend session with a wonderful Spanish model. I focused on capturing her relaxed pose and the way the light fell across her form, with the pink fabric adding a pop of color.
A standing figure study from the same two-day session. This piece was about capturing the form and weight of the figure in a simple, direct way using oil on linen.
A view of the model's back, painted in oil on linen. This pose was a great challenge for studying the muscles and structure of the back.
Our group of artists with our finished works from the figure study session. I'm so grateful to everyone who painted together. There is so much to learn just from seeing each other’s work.
Another group photo from our weekend figure study. A big thank you to our model, who sat for us with so much grace and patience.
The final oil painting from a full-figure session at the Uchhan art gallery. Our model, Rama, was posing for the first time and did an amazing job. This piece is all about the mood created by the dramatic red background.
Here you can see the model Rama posing next to my finished painting. It's always interesting to see the artwork right next to the source of inspiration.
The initial block-in for the figure painting of Rama. This is the first stage, where I establish the composition and the big shapes of light and shadow.
This is an oil on linen study of the human figure, practicing what I learned in a recent workshop. This is the underpainting, done in a monochrome brown. I plan to add color to it later.
A figure drawing in charcoal on paper. This is a practice sketch, focusing on form and shadow, based on a reference from the Florence Academy of Art.
About Capturing the Human Form: Figure Studies
When I paint a figure study, I typically work in the alla prima style, which means wet on wet, to capture the model's energy in a single three to five hour session. There is no room for second-guessing here, but that intensity is exactly what makes the process rewarding. I usually work on primed linen, as it holds the texture of the oil paint and the richness of the shadow tones beautifully.
My Approach to Figure Studies
Painting from life is a different kind of rush. Unlike studio work where I can layer and refine over weeks, a figure study demands focus and immediate decision-making. It is about understanding anatomy, gesture, and how light interacts with the body. I love the collaborative energy of these sessions, especially when working with fellow artists at spaces like the Uchhan Art Gallery.
Technical Details
- Medium: I use professional artist-grade oils, such as Gamblin, which offer excellent pigment load and texture. For figure work, I prefer primed linen or canvas board.
- Technique: My go-to is the alla prima method. I build up the form quickly, focusing on big shapes of light and shadow before refining the details.
- Materials: I always use high-quality materials to ensure that the work lasts. Whether it is a charcoal sketch on paper or an oil painting on linen, the substrate is just as important as the pigment.
Commissioning a Study
If you are interested in a figure study, I offer these as original, one-of-a-kind pieces. Each painting is signed, dated, and includes context notes about the session. Since these are often done in an expressive, impressionistic style, they make a unique addition to any art collection. Feel free to reach out if you would like to discuss a commission or learn more about my upcoming live sessions.
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