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A Journey Through Kathak: Performances and Traditions

byGarvita SharmaPerforms across India; Based in Delhi & MumbaiStarts from22,000 per performanceView full gallery

Welcome to my world of rhythm and devotion. Here is a curated selection of my Kathak work, from technical solo recitals to choreographed devotional narratives, all rooted in the grace of my Lucknow Gharana training.

This is the moment my soul feels most alive, in the middle of a chakkar, surrendering to the rhythm on stage. This performance at the CIDCO Auditorium in Navi Mumbai was a truly special experience, connecting with a wonderfully interactive audience.

It was an immense honour to perform at a TEDx event at Delhi University. Here is a snippet of a Tarana in Jhaptaal, a technical composition choreographed by my revered guru, Pt. Birju Maharaj ji, that is incredibly close to my heart.

Here, I present a Paran, a powerful rhythmic composition, set to the 16-beat cycle of Teentaal. Dancing outdoors by the water allows me to connect the movements of Kathak with the natural world, creating a performance that is both grounded and free.

Portraying Radha Rani on stage for the first time was a moment of pure devotion. In this pose, I am trying to capture her divine love and longing, a central theme in many of my abhinaya or expressive performances. I felt truly blessed to wear my guru Saswati didi's costume for this role.

This poster represents a production that is a piece of my heart, 'Ramasmaran'. I conceptualized and choreographed this depiction of Ram Bhakti through the eyes of Hanuman. It is an example of how I weave ancient stories into full-length Kathak productions for the stage.

I am deeply humbled and grateful to have received the Rashtriya Achiever Award for my work in Kathak. This recognition fuels my dedication to continue sharing this beautiful art form with the blessings of my gurus.

This is a Krishna Gat Nikas in Rupak Taal, a piece I learned from my guru Saswati didi. It portrays the playful, graceful walk of Lord Krishna. Performing this with my fellow dancers shows the synchronized energy and unity we bring to group productions.

Every step I take is guided by the blessings of my gurus. This precious moment with my guru, Saswati Sen ji, captures the essence of the 'guru-shishya parampara' that is the foundation of my art and my life. Her faith in me is my greatest strength.

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When deciding between a solo or group recital, consider the energy of your venue. A solo performance in a smaller space allows for a more intimate, conversational connection with the audience through detailed abhinaya, whereas group ensembles use geometric formations and synchronized footwork to command the attention of larger, auditorium-sized stages.

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