Kathak Performances
Locations
TRAVELS TO
Performs across Mumbai Metropolitan Region
Mumbai Metropolitan Area, Maharashtra
Performs across Delhi NCR
National Capital Region
Travels across India for performances
India
I perform solo, duet, and group Kathak shows rooted in Lucknow Gharana, with a mix of rhythmic footwork and storytelling for events anywhere in India.
Pricing Guide
Traditional Solo Kathak Recital
Performance Structure & Repertoire
- Configuration: Solo performance by the lead artist.
- Duration: 45 to 60 minutes of continuous performance.
- Opening: Traditional Mangalacharan or Vandana (Invocation to deities like Krishna, Shiva, or Saraswati).
- Pure Dance (Nritta): Showcase of technical brilliance featuring Thaat (posturing), Aamad (entry), and high-speed Chakkars (spins).
- Expressional Dance (Abhinaya): One Thumri or Bhajan focusing on facial expressions to narrate stories, often revolving around Radha-Krishna themes.
- Interactive Element: Brief verbal explanation (Padhant) by the artist reciting rhythmic syllables before performing them.
Aesthetics & Logistics
- Costume: 1 Premium traditional outfit (Angrakha style Anarkali in silk or brocade) with distinct dupatta drape.
- Jewelry: Authentic temple jewelry or traditional Kundan sets and heavy Ghungroos (100+ bells per leg).
- Music: High-definition pre-recorded backing tracks provided on a pen drive or link. Live musicians are not included in this range.
- Make-up: Professional stage makeup designed for heavy stage lighting.
Thematic Duet or Trio Performance
Choreography & Themes
- Configuration: Lead artist plus 1 or 2 Senior Co-artists (Professional level).
- Duration: 15 to 30 minutes (flexible based on event slot).
- Themes: Specialized narrative compositions including Krishna Leela (Makhan Chori or Raas), Ram Bhakti (Ramayana excerpts), or Festival Specials (Holi, Diwali).
- Visual Appeal: Focus on symmetry, synchronized spins, and dramatic frozen poses (Murtis).
Production Value
- Costuming: Strictly color-coordinated professional costumes (e.g., contrasting pairs or matching pastels) for visual harmony.
- Props: Use of small hand props if required by the story (Flute, Peacock feather, Pooja Thali, or Flower petals).
- Music: Pre-edited high-quality audio mix ensuring seamless transitions between rhythmic sections and expressive segments.
Grand Group Ensemble Performance
Scale & Composition
- Team Size: 1 Lead Dancer plus 4 to 6 Trained Ensemble Dancers.
- Choreography Style: Focus on Samuhik Nritya (Group Dance) involving intricate geometric floor patterns (circles, diagonals, lines).
- Repertoire: Includes high-energy Tarana (fast rhythmic finale), Sargam compositions, and devotional group Stuti.
Event Logistics & Requirements
- Costuming: Identical or thematically matched uniforms for the entire troupe.
- Stage Requirement: Requires a minimum stage size of 20ft x 15ft to accommodate group movement safely.
- Duration: 30 to 45 minutes performance time.
- On-Site Management: Includes a backend coordinator for costume changes and music cues during the show.
About Kathak Performances
I see Kathak as more than dance - it’s my way of connecting with something bigger, something divine. Every time I step on stage, I feel the presence of my gurus, Pandit Birju Maharaj ji and Saswati Sen ji. Their blessings shape every performance I give.
What My Kathak Brings
- My style is rooted in Lucknow Gharana Kathak, known for its grace and subtlety.
- I blend technical footwork (nritta) with expressive storytelling (abhinaya). For me, “Katha kahe so Kathak kahave” isn’t just a saying, it’s how I dance.
- I perform solo, duet, and group Kathak productions, depending on the event and vibe you want.
- My solo Kathak dancer recitals are personal and immersive, while group shows bring big energy and colour.
Stories I Love to Tell
- I often bring to life Krishna Leela, Ram Bhakti, and devotional pieces like Madhurashtakam.
- My abhinaya focuses on emotion and narrative, whether it’s the playfulness of Krishna or the devotion of Hanuman.
- Rhythm is a big part of my shows - expect complex tukdas, todas, and parans, with lots of chakkars.
Where I’ve Danced
- I’ve performed at places like Ram Mandir (Ayodhya), TedX Delhi University, Sangeet Natak Akademi, and India Habitat Centre.
- Based in Delhi and Mumbai, but I travel all over for performances.
If you want a Kathak storytelling performance that’s honest and rooted in tradition, I’d love to be part of your event.
Meet your Expert
Garvita Sharma
60 connects in last 3 months
My Story
Kathak for me? It’s everything. I learnt under Maharaj ji and Saswati Didi at Kalashram - that place is like my second home. Sometimes I’m in Delhi, sometimes Mumbai, always dancing. Once dreamt of studying at SRCC, but life had other plans - ended up judging a dance show there years later! My Gurus’ blessings, lots of riyaaz (practice), and the stage - that’s my real story. Tasmai Shri Gurave Namah.
My Work
What I offer - Solo and group Kathak performances, choreography, regular and special Kathak classes, and I judge dance competitions.
My Kathak roots - I belong to the Lucknow Gharana - all my training is under Maharaj ji and Saswati Didi, and I teach the same way.
How I teach - All sincere learners welcome, from total newbies to advanced. I focus on both Nritta (technique) and Nritya (expression).
Performances & choreography - I’ve performed and choreographed productions like 'Ramasmaran' across India. Connecting with art lovers matters the most.
