Kathak Choreography
Urth Movement Studio
I choreograph solo and group Kathak pieces based on Lucknow Gharana tradition, covering theme, story, technical elements, and stage production for performances and competitions.
Pricing Guide
Custom Solo Performance Choreography
Core Instruction
- Composition: Original 4-6 minute choreography rooted in Lucknow Gharana (Tarana/Thumri) tailored to skill level.
- Studio Training: 6 to 8 in-person practice sessions (60 minutes each) focusing on footwork and Abhinaya (expressions).
- Reference Material: Step-by-step video breakdown recorded by the instructor for home practice.
Technical Support
- Music Editing: Track cutting, fading, and tempo adjustment provided as a high-quality audio file.
- Rhythm Training: Instruction on Taal structures (e.g., Teentaal/Dhamar) to ensure mathematical precision in movement.
Styling
- Costume Guide: Consultation on fabric, color palettes, and jewelry placement to match professional stage standards.
- Ghungroo Advice: Guidance on selection and stringing of bells for optimal sound.
Group & Sangeet Choreography
Choreography Design
- Group Formations: Visual symmetry and floor patterns (circles, diagonals) designed for 4 to 8 dancers.
- Stage Blocking: Adaptation of movements to fit the specific stage size and audience viewing angle.
- Skill Adaptation: Modification of complex footwork to accommodate mixed skill levels (dancers and non-dancers).
Rehearsals
- Practice Sessions: 5 dedicated rehearsals (90 minutes each) to drill synchronization and timing.
- On-Site Run: Final dry run at the venue to check lighting, spacing, and prop usage.
Music & Aesthetics
- Track Selection: Suggestions for classical-fusion or Bollywood semi-classical tracks suitable for the event theme.
- Visual Cohesion: Guidance on color coordination and costume uniformity to ensure the group looks polished.
Online Choreography Capsule
Live Instruction
- Virtual Classes: 5 live 1-on-1 sessions (60 minutes each) via video call platforms.
- Focus Area: Detailed teaching of one specific composition (Sargam, Tarana, or Bhajan) including Bol recitation.
Digital Assets
- Practice Videos: Front and back view recordings of the choreography provided for self-study.
- Audio Resources: High-quality music track and Padhant (rhythmic recitation) audio files.
- Progress Review: Analysis of student practice videos sent digitally with timestamped corrections.
About Kathak Choreography
My Approach to Kathak Choreography
Choreography for me is more than just steps - it's a way to connect with something bigger. My training comes straight from the Lucknow Gharana, thanks to my gurus, Pandit Birju Maharaj ji and Saswati Sen Didi. Every piece I make is soaked in that tradition and the guru-shishya parampara (teacher-student bond).
What I Offer
- Full dance productions - from theme to stage, I help shape the story and music.
- Solo and group pieces - whether you want a solo for yourself or a group number, I create choreography that fits your vibe and skill.
- Kathak competition choreography - I love prepping dancers for competitions, making sure their strengths shine.
My Style
I mix abhinaya (expressive storytelling) and nritta (pure dance and rhythm). We dive into stories from mythology - Krishna ke leela (playful tales), Hanuman ki bhakti (devotion), Radha ka prem (divine love). Technical stuff like tukdas, parans, tihais, and different taals (rhythmic cycles) are always part of the process.
Where & How
Mostly, I work in Delhi and Mumbai. But if you're somewhere else, online sessions are totally doable.
If you want choreography that's rooted in Lucknow Gharana Kathak and brings out real storytelling through dance, let's make it happen.
Meet your Expert
Garvita Sharma
60 connects in last 3 months
My Story
Kathak for me? It’s everything. I learnt under Maharaj ji and Saswati Didi at Kalashram - that place is like my second home. Sometimes I’m in Delhi, sometimes Mumbai, always dancing. Once dreamt of studying at SRCC, but life had other plans - ended up judging a dance show there years later! My Gurus’ blessings, lots of riyaaz (practice), and the stage - that’s my real story. Tasmai Shri Gurave Namah.
My Work
What I offer - Solo and group Kathak performances, choreography, regular and special Kathak classes, and I judge dance competitions.
My Kathak roots - I belong to the Lucknow Gharana - all my training is under Maharaj ji and Saswati Didi, and I teach the same way.
How I teach - All sincere learners welcome, from total newbies to advanced. I focus on both Nritta (technique) and Nritya (expression).
Performances & choreography - I’ve performed and choreographed productions like 'Ramasmaran' across India. Connecting with art lovers matters the most.
