From Studio to Street: My Artistic Process

You will notice in my process that I never rely on sketches made from photographs. Whether I am developing a conceptual mural in the studio or capturing a live portrait on a Mumbai local train, I prioritize direct observation. This commitment to the present moment ensures that the texture and emotional weight of the subject are transferred directly to the canvas or paper, without the distortion of a digital lens.

My practice exists in two distinct spheres: the controlled environment of the studio and the unpredictable energy of the street. During my time at the Sir J.J. School of Art, I developed a rigorous foundation in classical technique. This academic discipline remains the bedrock of my contemporary paintings, where I explore themes of tribal heritage and weave bamboo patterns into my work to represent ancestral memory.

However, the studio is only half the story. My observational sketching takes me to the bustling arteries of Mumbai and Bhubaneswar. I carry my easel and charcoal into street markets, local trains, and public gatherings. Unlike commissioned works, these observational sketches are unplanned. They document the human element of a fleeting moment.

For those interested in my conceptual work, I approach murals and paintings as a long-form meditation on life. I select mediums—acrylics, oils, or pencil—based on the specific emotional resonance I aim to convey. Whether you are commissioning a portrait for your home or a large-scale mural for a commercial space, the process remains rooted in the same philosophy: honest observation.

My exhibitions, including work showcased in institutional settings, serve as a culmination of these experiences. They represent the dialogue between the formal art world and the visceral reality of everyday existence. I invite you to view my process not just as technical execution, but as a deliberate attempt to preserve the vanishing traditions and quiet struggles that define our collective experience.