My Original Choreography & Dance Training
I don’t just teach steps, I teach how to feel the music. This is my space for original choreography, from Afro and Dancehall to Urban fusion—built to push your limits.
A solo run from my Trinity series in Delhi. This is my style, my flow. I’m always working on new choreography and combos for my regular batches, pro-training, and workshops.
A solo class run of my 'Break Me Down' choreography to a Wizkid track. His music is always on my playlist and inspires a lot of my movement.
A reflective piece from a Mumbai choreo intensive. This is a reminder to myself to just flow with the music and explore without inhibition, something I encourage in all my students.
A duet to Tyla's 'No1'. This piece is all about playing with rhythm and connection between the dancers.
The third draft of my 'No1' choreography. I'm constantly refining my pieces, and this shows a glimpse of where the routine is headed.
Just casually morphing into whatever life throws my way. A group performance of my choreography to Tyla's song 'Water'.
Teaching my 'Kahin Aag Lage' choreography, a tribute to Aishwarya Rai and Shiamak Davar. This piece is all about drama and performance.
A bit of 'Dil Se' with my boys. This entire A.R. Rahman series is turning out to be so satisfying to create and teach.
A class full of energy learning my choreography. The moments captured here show the joy and focus of the students.
Another shot from the same class, highlighting the group's synchronization and energy.
About My Choreography
Look, choreography isn't about looking perfect from day one. You'll see me teaching with a knee brace or correcting posture in real-time, because growth happens in the messy middle, not just the final video edit. If you're coming to my class, be ready to work—we’re here to drill technique until it sticks.
My choreography style is a fusion of Jazz, Dancehall, Afro, and Urban, always built around musicality. I don’t believe in 'chalega yaar' (it's okay, bro)—I believe in kaizen, the idea of tiny, constant improvements. Whether we're moving to Tyla or A.R. Rahman, the goal is the same: to stop caring about applause and start connecting with the rhythm.
Why Train With Me?
- Real Feedback: I am direct. If your rotation isn't enough or your posture is off, you’ll hear it. This is a space to fall, fix it, and get back up.
- All-Levels Progress: From my 'Delhi Regulars' pro-training batches to weekend intensives in Mumbai, Bangalore, and Chennai, I structure classes to challenge you.
- Strict Environment: There are rules—latecomers do burpees, and we don't chew gum in class. This keeps the focus sharp.
I treat choreography as a form of therapy. We drill foundations for 45 minutes, then spend the rest of the time learning a routine segment by segment. By the end of the month, we do a professional video shoot—not to show off, but to see exactly where we need to improve next. If you're ready to embrace the nervousness and put in the work, come find your groove.
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