Jugalbandi & Fusion Tabla Performances
Tabla is a conversation. Whether it's a traditional jugalbandi or a modern fusion set, I love finding the rhythm between different musical worlds.
An excerpt from the 'Sabr' album launch concert with the Anirudh Varma Collective. Here I am presenting a short tabla solo within their track 'Megh', a fusion of classical and contemporary styles.
A moment of interaction during a percussion ensemble at the Surjyotsna concert. Sharing the stage with dholki and sambal players creates a rich and powerful rhythmic tapestry.
An announcement for a Tabla & Drums Jugalbandi with my dear brother, the amazing drummer Shravan Samsi. This kind of duet is a high-energy conversation between two different rhythmic traditions.
Taking a bow with Vidushi Kaushiki Chakraborty ji, Shri Ambi Subramaniam, and other wonderful musicians after a Hindustani-Carnatic jugalbandi concert in Chicago. Bridging these two great traditions is always a thrilling experience.
Sharing a smile with the dholak maestro Shri Navin Sharma ji during our 'Sahwadan' (duet) at the Tabla Chilla festival in Nashik. The chemistry between artists is what makes a jugalbandi special.
A poster for a Tabla-Pakhawaj 'Sahwadan' (duet) with my elder brother Shri Sukhad Munde. This is a traditional percussion duet that showcases the similarities and differences between these two iconic Indian drums.
More pictures from the Surjyotsna concert, a folk and classical fusion performance. It was a pleasure to collaborate with such talented artists on dholki and sambal.
More pictures from the Surjyotsna concert, a folk and classical fusion performance. It was a pleasure to collaborate with such talented artists on dholki and sambal.
Fun and candid moments with the artists of the Hindustani-Carnatic collaboration in Chicago. The camaraderie off-stage is just as important as the music on-stage.
Fun and candid moments with the artists of the Hindustani-Carnatic collaboration in Chicago. The camaraderie off-stage is just as important as the music on-stage.
About Jugalbandi & Fusion Collaborations
When we perform a jugalbandi, it is not just about two people playing at once; it is a rhythmic dialogue. Whether I am collaborating with a drummer, a Pakhawaj player, or an electric Zitar, my focus is always on syncing our distinct sounds without losing the essence of the composition. If you are looking for a collaboration, I will need to understand your setup—the instrumentation and the vibe you are aiming for—so we can align our rehearsals properly before the stage time.
A successful jugalbandi or fusion set is built on chemistry. I don’t just show up and play; I believe in understanding the other artist's style deeply. For traditional percussion duets, like a Tabla-Pakhawaj 'Sahwadan', we explore the fine interplay between our gharana traditions, highlighting both the similarities and the unique rhythms of each instrument.
For modern fusion sets, such as working with drums, keyboards, or electronic setups, I bring a technical approach. I ensure my tabla tuning cuts through the mix while maintaining its authentic, punchy sound. I am fully comfortable working with click-tracks and in-ear monitors to keep the beat locked in with your sound engineer.
I handle the logistics, from sound-check coordination to mic placement. Whether it’s a classical festival or a high-energy corporate event, I bring my professional concert-grade gear. I always include at least one technical run-through to get the balance just right. I have performed across Mumbai and various cities in India, and I am ready to travel to where the music takes us.
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