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Curated Ensembles for Intimate Musical Gatherings

byTrilochan KampliHosted at Shanti Nagar; Curates across BengaluruStarts from55,000 per eventView full gallery

A musical gathering is only as good as the chemistry between the artists. When we share the stage with people we know, laugh, and live with, that bond translates directly into the music.

The chemistry is real. A moment with my little brother, Sarfaraaz Khan. We've shared the stage countless times, and it always feels like coming home.

After a fantastic concert with my elder brother Trilochan and Bhargav. These post-concert moments are filled with joy and camaraderie.

Happy faces after a house-full concert with my guru Ustad Faiyaz Khan and my two elder brothers. This is what it's all about, the joy of making music together.

A candid moment of joy during a performance at The Courtyard. Playing with friends like Ustad Faiyaz Khan and Sarfaraaz Khan brings out the best in all of us.

Another shot showing the easy chemistry with Sarfaraaz. Whether we are rehearsing or performing, the musical conversation is always flowing.

More happy faces after a great show. It's a blessing to be surrounded by such talented musicians who are also my family and friends.

A selfie with my dear brother Sarfaraz Khan before our sarangi and tabla solo performance. The bond we share off-stage translates directly to the music we make on-stage.

A candid, happy moment after a sold-out ghazal mehfil. The laughter and smiles show the great time we had creating music for a wonderful audience.

Rehearsing with Sarfaraaz Khan. These informal jam sessions are where we explore new ideas and strengthen our musical connection.

A candid shot of me, mid-performance. The energy of the space and the connection with my fellow artists is what I live for.

About My Circle of Artists

When you bring a set group together, you bypass the stiffness of a generic booking. We do not need to 'perform' for each other during the event—we just start playing, and that relaxed, intuitive back-and-forth between the tabla, sarangi, and vocals is what makes an audience sit up and actually feel the music, rather than just listen to it.

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