Behind the Brush: My Painting Process

My process is rooted in both efficiency and heart. For every portrait commission, I start with a value study—usually a burnt sienna underpainting—to map out light and shadow before applying color. This technique helps me capture accurate skin tones and proportions much faster, ensuring I can focus my energy on the finer details, like clothing patterns or expression, that make your piece feel truly personal.

When you book a custom portrait commission, you aren't just getting a painting; you are getting a piece of work that I have dedicated days to. My process starts with a simple conversation to understand the vibe you are looking for. Whether it is a couple portrait, a memorial piece merging photos of loved ones, or a pet portrait, the goal is always the same: capturing the emotion of the moment.

After we lock in the details, I prepare the surface—be it stretched cotton canvas, rustic wood slices, or specialty paper. I begin with the sketch and then move to the underpainting. This is the stage where I map out the shadows and highlights, which gives the final acrylic work its signature 3D depth. I avoid rushing this step because it is the foundation of the entire painting.

I layer my acrylic paints, building up vibrancy and texture. Every piece is finished with a double coat of varnish to protect it from dust and UV fading, keeping the colors sharp for years. Because I pour so much of myself into each layer and limit my monthly slots to maintain quality, my order list can fill up quite quickly. I always recommend reaching out early if you have a specific date in mind, like an anniversary or birthday. If you have a specific artistic theme in mind—like a Van Gogh aesthetic, Ghibli vibes, or a Taylor Swift inspired color palette—let me know during our chat. I love finding ways to integrate those personal touches into the background or the overall style of the art.