Tribe Verified

Mohiniyattam Stage Performances and Productions

bySamarpanaIn-person classes at studio in Gottigere, BengaluruStarts from2,000 per participant / eventView full gallery

Every stage performance is a 'samarpanam'—a humble offering of dance. Explore our journey through traditional solos and ensemble productions that bring the grace and storytelling of Mohiniyattam to life.

A powerful moment of expression captured in black and white during a 'sevakkalam' performance at Sreeramaswami temple. The intensity in the eyes and posture conveys the deep narrative of the dance.

Our student Soumya in a moment of graceful movement during her solo performance at Jalahalli Ayyappa Temple in Bangalore. We encourage and celebrate our students' individual artistic journeys.

A dynamic pose from a solo Mohiniyattam recital, highlighting the unique costume and fluid body language characteristic of the art form.

A gesture of offering during a temple performance. The traditional attire, with its iconic pleated fan, adds to the visual poetry of the dance.

The hands and face work in harmony to tell a story. This is a moment of 'abhinaya' or expression from a student's solo recital.

A black and white portrait from a performance, focusing on the subtle smile and emotive power of the dancer's expression.

A striking pose filled with intent and emotion. Every performance is an opportunity to connect with the 'rasikas' (audience) on a spiritual level.

Our Guru, Vinaya Narayanan, performing at the Anubhava art experience. This piece explored the theme of 'Tradition and Transition', blending classical Mohiniyattam with fresh interpretations.

A full-stage view of a performance, showing the dancer's command over the space and the graceful flow of the Mohiniyattam costume.

The dancer's expression and posture convey a specific moment in the story, a testament to the detailed training in 'abhinaya' we provide.

About Stage Performances & 'Samarpanam'

Our performances go beyond simple choreography. Whether it is a traditional temple 'sevakkalam' or an experimental piece like 'Uthara', we focus on the deep narrative connection between the dancer and the 'rasika' (audience). When we prepare for a stage show, we manage everything from the live orchestra coordination to the intricate makeup and costume draping, ensuring the production remains authentic to the Bharati Shivaji style we follow.

Similar work from other experts

Browse through Curated picks from other experts on mytribe