Campaign and Commercial Makeup & Hair
I create polished, camera-ready looks for brand campaigns, lookbooks, and fashion editorials, ensuring every detail holds up under studio lights.
A beautiful soft glam look for a Kalki Fashion campaign. The clean, low bun and defined eyes create an elegant style perfect for a bridesmaid or a cocktail party.
The official campaign poster for the Freakins x Jaspreet Dyora collaboration. I created a smokey eye and sleek hair to match the cool, edgy vibe of the collection.
A powerful look for Roology Official, featuring a classic red lip and a pulled-back hairstyle. This is a timeless combination that exudes confidence and sophistication.
A close-up of the soft glam look, showing the flawless skin finish, subtle contour, and the soft waves of the blowout hairstyle.
For this beachside jewellery campaign, I created a dewy, sun-kissed makeup look and a simple, textured updo to evoke a natural and effortless feel.
A behind-the-scenes and final campaign video for Freakins' denim line. I styled the hair with natural, flowing waves to match the minimalist and bold concept.
Another portrait from the soft glam series, showcasing the makeup and hair from a different angle in a pensive pose.
A full-length shot showing how the soft glam makeup and natural blowout hair complements a chic, all-black outfit.
A three-quarter shot from the soft glam portrait session, with a hint of movement in the hair.
A powerful portrait pose, highlighting the texture and volume of the blowout and the clean, radiant makeup.
About Campaign & Commercial Glam
When working on set, my focus is on stability and consistency. I use HD products like NARS and Charlotte Tilbury because they don’t flashback under studio lighting, and I stay on-set for 8-hour shifts to handle touch-ups, flyaway fixes, and garment-change variations, so the photographer does not have to worry about the hair or makeup slipping.
My commercial approach is technical. Every campaign has a different requirement, from raw, natural aesthetics for e-commerce to highly structured, high-fashion looks for editorial prints. I start by aligning with your mood board. If the brief calls for a specific era or texture, I plan the kit accordingly.
For studio work, I prioritize products that handle high-resolution close-ups and intense lighting. I use pigments that will not shift under heat or create a white cast in flash photography. My kit is stocked with professional-grade brands like Danessa Myricks and Kryolan for creative projects, while maintaining clean, skin-focused palettes for daily editorial shoots.
Hair is just as critical. I am frequently hired to execute the wet look, clean ponytails, or intricate braids that need to stay perfect despite movement or multiple outfit swaps. During a shoot, I do not just sit back. I stay on the monitor, watching for stray hairs or shine, and intervening before the next frame is shot.
I am based in Mumbai, but I travel across India for projects. Whether you are shooting in a studio in Bandra or an outdoor location, I bring my full setup and the discipline needed to keep the shoot on schedule.
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