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Magazine Covers & Editorial Styling

byHarmann KaurTravels across India for commercial and editorial shootsStarts from80,000 per day (8 hour shift)View full gallery

Creating visual stories that command attention. From ELLE India covers to GQ features, I handle the full styling narrative to ensure every shot feels like a statement.

The cover shot for Vijay Deverakonda's Lifestyle Asia feature. We went for a direct, confident look, highlighting his personality with a simple white hoodie and a statement platinum bracelet.

A powerful shot from the Lifestyle Asia editorial with Vijay Deverakonda. The focus here is on the details, styling a classic black shirt with bold platinum jewelry to create a look of understated luxury.

Another look from the Lifestyle Asia shoot, showcasing a relaxed yet intense mood. The all-black outfit from his brand Rowdy Club serves as a canvas for the striking Men of Platinum accessories.

A close-up from the Lifestyle Asia editorial, focusing on texture and layering. I paired a grey Zegna turtleneck with a matching overcoat for a sophisticated, tonal look on Vijay Deverakonda.

A full look from the Lifestyle Asia shoot with Vijay Deverakonda. Draping the Zegna blazer over the shoulders adds a touch of effortless cool to this otherwise formal, all-black ensemble.

The cover of Exhibit Magazine featuring Arjun Kapoor. We created a tech-forward, modern look with a Diesel jacket and Amiri tee, blending his charismatic presence with the magazine's focus on gadgets and lifestyle.

A strong portrait of Arjun Kapoor from the Exhibit Magazine shoot. The all-black Dsquared2 knit and bold sunglasses create a sense of mystery and intensity, perfect for a compelling editorial feature.

A candid, reflective moment captured during the Exhibit Magazine shoot with Arjun Kapoor. The blue Paul Smith jacket adds a pop of color, showing a softer side to the editorial's narrative.

Using reflections to create a layered, artistic shot for Arjun Kapoor's Exhibit Magazine spread. The patterned Diesel jacket becomes the focal point, showcasing a more eclectic and fashion-forward style.

The vibrant cover for ELLE India with Rajkummar Rao. I chose this pastel blue Onitsuka Tiger tracksuit to create a fresh, summery vibe that contrasts beautifully with the bold yellow background.

About Magazine Covers & Editorials

When you see a magazine cover, it is not just about the clothes, but the synergy between the talent, the publication's brand, and the story we are selling. For every shoot, I manage the sourcing logistics, coordinating with global labels for that specific runway look, and work closely with the talent to ensure the wardrobe feels like an extension of their personal brand rather than a costume.

The Editorial Process

Editorial styling is high-stakes storytelling. Whether it is a tech-forward look for Exhibit or a relaxed, summer-ready spread for ELLE, the goal is always the same: visual impact. I oversee the entire flow, from conceptualizing moodboards and color theory to the frantic final minutes on set, ensuring no accessory is out of place.

Logistics & Execution

A cover shoot is not just about the outfit; it is about the preparation. My team and I handle everything: sourcing high-end pieces, managing alterations for a perfect fit, and providing full standby support during long shoot days. You are not just hiring a stylist; you are getting a creative partner who ensures the visual narrative remains consistent from the first frame to the final click.

Working with Me

I bring my experience from styling heavyweights like Vijay Deverakonda, Rajkummar Rao, and Dulquer Salmaan to every project. My kit is always stocked for quick fixes, and my approach is collaborative. We align on the brand vision before a single garment is touched, ensuring the final result is polished, editorial-grade work.

Featured in GQ, ELLE, and Filmfare.Approved by the tribe
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Harmann Kaur

Travels across India for commercial and editorial shootsStarts from 80,000 per day (8 hour shift)

I'm Harmann. I don't just style people for covers; I help them own the frame. Whether it is a high-energy campaign or a subtle editorial feature, I am the one ensuring the vibe is on point and the narrative lands perfectly.

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