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Awards, Press, and Behind-the-Scenes Moments

byHarmann KaurTravels across India for commercial and editorial shootsStarts from80,000 per day (8 hour shift)View full gallery

A look at the work that earned the recognition. From industry awards to the studio chaos that makes a shoot successful.

A proud moment accepting the 'Stylist of the Year' award from Outlook Business Spotlight. For the event, I wore a beautiful white embroidered co-ord set from Mishru.

A shot from the night I received my award. I love being surrounded by beautiful clothes, and this moment captured at the Mishru store before the event felt just right.

Celebrating with fellow award winners at the Outlook Business Spotlight event. It's an honor to be recognized for the work my team and I pour our hearts into.

Another look at my outfit for the awards night. The flared pants and crop top from Mishru, paired with a pop of color from my shoes, felt like the perfect celebration look.

The official announcement for the Outlook Business Entity Awards. It was an incredible honor to be recognized as a visionary in the fashion industry.

A feature on my work in The Hollywood Reporter India. It was a great opportunity to talk about my process and the art of storytelling through fashion with some of my favorite clients.

A throwback behind-the-scenes moment with Dulquer Salmaan. This was from a studio shoot where we created a smart-casual look with a shacket and tailored trousers. Always a pleasure working with him.

A beautiful still from the movie 'Family Star'. I had the pleasure of styling both Vijay Deverakonda and Mrunal Thakur for this festive scene, creating complementary looks in soft pastel shades.

About Press, Awards & Behind The Scenes

People see the magazine covers and the award wins, but the real work happens in the studio and during those long pre-production meetings. Whether I'm prepping a look for Vijay Deverakonda or coordinating an editorial shoot, my process is all about intense collaboration and sweating the small stuff—like ensuring the garment tape holds or the steam is perfect before the first take. It is not just about the final frame; it is about the logistics and high-pressure problem solving that gets us there.

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