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A Peek Into My Handmade Art Process

byGreengoldShips across IndiaStarts from350 per set or pieceView full gallery

Every piece starts as a simple slab of wood or clay. Here is a glimpse into how I turn those raw materials into stories rooted in Indian tradition, one brush stroke at a time.

A montage of my life as an artist. From fun times at events and the challenges of creative blocks, to the joy of seeing my work displayed and connecting with clients who have supported me for 11 years.

The arty vibes at the Kalaangana 2025 event were so motivating! This video shows my stall, filled with wall plates, Nandi sculptures, and jewelry, ready to find new homes.

A video from another event, showing me at my stall, interacting with customers, and displaying my colorful creations. Events are a wonderful way to connect with people who appreciate handmade art.

A day well spent at the BAZAAR-E-KOHINOOR market. It was wonderful to meet inspiring artists, craftspeople, and of course, my lovely clients.

Prepping for the "Dharani Dhaarini" event. This video shows me putting the finishing touches on jewelry, Nandi sculptures, and wall plates, getting everything ready for the show.

A look at my messy but creative workspace while finishing a Mysore traditional style painting of Maa Saraswati. This is where the magic happens, surrounded by paints and brushes.

It's a golden week in my studio! This video shows my current crush, gold foil art, and how I use it to add a touch of shimmer and luxury to a mandala design.

This colorful mask was a personal project. I bought the plain mask in Kolkata and couldn't resist painting over it to give it my own unique touch. Its bright colors always perk me up.

The painted mask in a different light, showing how the metallic and bright colors interact. It's a testament to my belief that almost anything can be a canvas.

A full, direct view of the repainted mask, showcasing the geometric patterns and the sad yet colorful expression.

About The Artist's Journey

When you see a finished wall plate or Nandi sculpture, it is easy to forget the messy studio table behind it. I often spend weeks layering paint, carefully applying gold foil, and waiting for varnish to set while working on a piece like a Mysore traditional painting. That slow, deliberate pace is exactly why these items feel different the moment you hold them in your hands.

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