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Hand-Drawn Charcoal Portraits and Custom Sketches

byMohammad FaizanShips across IndiaStarts from2,500 per artwork (1-2 faces)View full gallery

Charcoal is honest. It strips away the distraction of colour to focus on the lines, the shadows, and the raw emotion behind a face.

'Galloping Spirit' is a charcoal drawing where I tried to capture pure motion. Using broad, sweeping strokes and smudging, I depicted the energy and power of a horse and rider in full gallop.

A charcoal portrait on paper. I enjoy the challenge of creating depth and realism with just black and white, focusing on the light in the subject's eyes and the texture of his beard.

This charcoal portrait captures a moment of quiet contemplation. The strong contrast between the dark, shaded background and the brightly lit side of his face creates a dramatic, focused effect.

Another charcoal portrait study. I focused on capturing the volume and flow of the hair, using soft shading and sharp lines to create a realistic and engaging portrait.

This is a portrait of Neeraj, sketched from life using charcoal. Live sketching forces you to capture the essence of a person quickly, and I focused on his thoughtful expression and the play of light on his face.

A live portrait done in charcoal. There's a special energy when you're drawing someone in person. This sketch captures the subject's personality through his direct gaze and subtle expression.

A charcoal sketch focusing on a side profile. This perspective allows for a study of form and silhouette. I paid close attention to the structure of the face and the simple detail of the ponytail.

This charcoal portrait of a woman was about capturing a soft, gentle expression. I used smoother blending techniques to create the soft skin tones and the texture of her hair.

A full-figure life sketch using charcoal. This kind of study is essential for understanding anatomy and posture. It's a raw, quick sketch that captures the relaxed pose of the subject.

'मूर्ति' (Murti). This is a live charcoal sketch of a sculptor at work. I wanted to capture the act of creation itself, showing the artist's focus as he gives form to his art.

About Charcoal Sketches: The Power of Black & White

I use a mix of Staedtler Mars Lumograph pencils and Willow charcoal on heavy, acid-free cartridge paper. Whether it’s a portrait of a loved one or a live study, my focus is always on getting the texture—like the fine lines around eyes or the way light hits a face—exactly right.

My Process

There is a special kind of sukoon in working with black and white. It forces me to pay attention to contrast and form. Every charcoal portrait or pencil sketch I do goes through a careful layering process—starting with a light sketch to set the structure, followed by building up depth with charcoal, and finally adding those sharp, realistic details.

Materials & Longevity

I want your art to last. That is why I use heavy-duty, acid-free cartridge paper that doesn't yellow over time. Once the drawing is complete, I seal every piece with a professional fixative spray. This isn't just to keep the charcoal from smudging; it protects the work so it stays as crisp as the day I finished it.

Commissioning a Sketch

When you order a custom sketch, here is how we work:

  • Customization: I typically handle 1 to 2 faces per sheet (bust or shoulders up).
  • Detailing: I pay close attention to details like clothing folds, jewelry, or glasses to make the portrait truly yours.
  • Delivery: I ship every artwork flat between rigid foam boards or MDF sheets. It arrives unframed, so you can choose a frame that matches your home decor.
  • Digital Perk: I always send a short time-lapse video of your sketch being created. It’s part of the process and a nice way to see how your memory was captured.

If you have a photo that feels special, let's talk. We will pick the right reference, and I will get to work.

Professional Staedtler pencils on acid-free paper.Approved by the tribe
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Mohammad Faizan

Ships across IndiaStarts from 2,500 per artwork (1-2 faces)

Main Faizan hoon, and for me, art is just a way to find sukoon. When I work with charcoal, it’s about capturing a moment without any noise. It’s just me, the paper, and the person I’m sketching.

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