The Art of Mysore Painting: Our Traditional Process

I never use stencils or tracing. Every single line—from the initial pencil sketch to the 3D gesso relief—is drawn freehand to ensure the divine proportions remain authentic and uniquely yours.

When you commission a painting, you are receiving the result of a process I have practiced for over three decades. It begins with the sketch. I draw the deity's form directly onto the heritage mounting board, adjusting the proportions to ensure the posture and mudras are traditionally accurate. There is no printing or tracing involved; my hand is the only guide.

Next comes the gesso work, which gives my paintings their signature depth. I apply a paste to create raised architectural details—the crowns, the jewelry, and the pillars of the mandapa. This requires a steady hand and precise timing, as the height of the embossing determines how beautifully the gold will catch the light later.

Finally, I apply the 24kt pure gold leaf. This is an offering, not just a decoration. The leaf is delicate and requires immense patience. I layer it carefully over the embossed gesso areas to create that radiant, permanent glow that Mysore paintings are known for. Once the gold is set, I use watercolors to paint the expressions, skin tones, and background details using techniques passed down through generations. The entire process, from the first sketch to the final varnish, is a meditative practice. Whether it is a small 10x12 inch portrait or a 5-foot heirloom commission, the method remains the same: meticulous, traditional, and devoted.