Behind the Art: My Graffiti Mural Process
From the first sketch on my phone to the final spray on the wall, this is how I transform your space. Real process, real grit, no shortcuts.
Me in my gear, respirator on, ready to paint. The bright, colorful lighting in this shot captures the energy I feel when I'm about to start a new piece.
A portrait of me at work, caught in a red light. Safety is key, but the respirator has also become a part of the iconic look of a graffiti artist.
A shot from a collaboration with Superkicks and Lefthander. This photo, taken against a heavily tagged wall, captures the authentic street culture that my art comes from.
Me and my fellow artist during the Superkicks collaboration. This is what it's all about: creating art, working with friends, and being part of the scene.
A moody shot of me painting at night, illuminated by a single spotlight. Some of the best work happens after the sun goes down.
A close-up of my hands holding two spray cans. These are the primary tools of my trade, and I always have them with me, ready for the next wall.
Getting a little help from a friend to reach the top of a wall. Teamwork is essential in street art, whether it's for a big commission or a fun night session.
A video recap of my time at Spoken Fest, where I was doing live art. It shows me interacting with people, painting custom pieces, and showcasing my work at my stall.
About The Artist at Work
Before we pick up a spray can, I always start with two rounds of digital mockups on a photo of your actual wall. This way, we aren’t guessing; we know exactly how the mechanical lettering or character work will fit your space and your lighting before I even show up on-site. Once we lock the design, I handle the prep work, masking, and surface protection so your space stays clean while I do my thing.
My process is as much about the setup as it is the final spray. Whether I am working on a commission for a cafe in Bandra or a private gaming room, the method remains the same.
First, we talk. I need to understand the vibe you want. You get two rounds of digital sketches, which helps us finalize the scale and composition. This prevents any surprises when I am on the ladder.
Then comes the execution. I use premium imported spray paints like Montana or Molotow, which offer better coverage and UV resistance than standard market paint. I don't just show up and wing it. I bring my respirator, drop cloths to protect your furniture, and a full kit of varied nozzles for precise line control. If the wall is high, I coordinate the scaffolding requirements in advance.
Collaboration is part of the job. You might see me painting with my crew or getting a helping hand to reach the top of a wall. We treat every surface, whether public or private, with the same level of focus. After I pack up my cans and clear the tape, I make sure the site is clean. The only thing left behind is the art.
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