The Backstage Buzz

On a long 10-hour shoot day, my role goes beyond just the first look. I stay glued to the monitor to manage hair continuity, fixing stray flyaways between takes and adjusting styles for changing studio lighting, so the 4K footage looks perfect every single time.

When you are on set for a commercial campaign or a runway show, there is no room for error. The lights are hot, the schedule is tight, and the hair needs to hold up under pressure. My editorial hair styling process is built around that reality. Whether we are dealing with the humidity at a beach fashion week in Goa or the controlled environment of a studio TVC shoot, I bring a full professional kit—including my Ikonic and Dyson tools—to handle any texture change on the fly.

I treat every project as a collaboration. When I work with brands like Schwarzkopf Professional or major fashion magazines, it is about more than just the final pose. It is about understanding the narrative of the shoot. If we need to transition from a sleek, editorial look to something textured and wild without a wash, I know exactly how to layer products like Osis+ Dust It or Sparkler to make that happen without damaging the integrity of the hair.

My approach to commercial and editorial hair focuses on:

• Continuity Management: Ensuring hair looks exactly the same across different takes and lighting setups.
• Versatile Styling: Transitioning between looks rapidly to keep the production schedule on track.
• Professional Toolkit: Using industry-standard hot tools and session products to deliver HD-ready finishes.
• On-Location Expertise: Navigating the logistics of outdoor shoots and event spaces.

If you are planning a brand campaign, a fashion editorial, or a high-stakes event, let's talk about the vision. I am all about the craft and the energy we bring to the set.