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Sitar Recording Collaborations and Musical Recognition

byChintan KattiVisits studios across Mumbai and travels pan-India for recording sessionsStarts from6,500 Per TrackView full gallery

Music is a conversation. I am grateful to have shared these moments with talented composers and artists, and to have my commitment to the Sitar recognized.

I was very happy and humbled to receive the 'A' Grade from All India Radio for Hindustani Classical Music. This official recognition is a milestone in my career and a benchmark of my artistic standard.

It was a true honour to have the legendary sitar maestro Ustad Shahid Parvez ji attend one of my private concerts. His presence and encouragement were deeply inspiring and a moment I will always treasure.

I was honoured to meet the acclaimed film director Ashutosh Gowariker ji. As a longtime fan of his work, his kind words and appreciation for my music meant the world to me.

With composer Abhishek Ray after a wonderful recording session for his upcoming song. I value every opportunity to collaborate with talented artists in the industry.

Sharing a moment with Gaurav Godkhindi ji after a recording session at Kailasa Studios. Collaborating with experienced composers is always a great learning experience.

After a recording session for an ad film with the amazing Dhruv Ghanekar. His studio is filled with incredible instruments, and it was a joy to add my sitar to the mix.

With the incredible composer Aanand Bajpai after recording for a Shoonya ad. We have worked on many projects together, and I always appreciate his creative energy.

A professional portrait from a photoshoot. Presenting myself as an artist is part of the journey, and I enjoy capturing the joy I feel when I play music.

A group photo with my wonderful collaborators for a Navratri devotional project. Music is all about teamwork and shared passion.

About Collaborations & Recognition

When I walk into a studio, whether it is for a high-energy ad film or a meditative film score, my priority is the composer's vision. I focus on adapting my Sitar phrasing—like Gayaki Ang—to suit the specific melody, ensuring the recording sits perfectly in your final mix without needing excessive post-processing or multiple retakes.

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