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Watercolor Demos and Painting Tips by Basit

byBasitOutdoor workshops at Cubbon Park, BengaluruStarts from950 per personView full gallery

I didn't have an art school degree, so I learned by making mistakes and finding my own way. Here, I share the messy, quiet, and beautiful parts of painting. Let’s learn together, shall we?

This was a dream come true. A look at my first-ever indoor watercolor demo in front of a large, wonderful audience. Sharing my techniques, tools, and experiences with so many eager artists was an incredible feeling.

Here I am during the live demo, focused on the canvas. I believe in teaching by showing, walking the audience through each step of my process, from the initial wash to the final details.

Standing proudly with the finished demonstration piece. This painting of a traditional house was created live, and it was a joy to see it come to life with the audience.

A clip from a live online session where I painted this sunflower still life. I love interacting with the art community, answering questions, and sharing my process in real-time.

'Black' in watercolor: a tool or a trap? This is the first slide of an educational carousel I created to help artists understand how and when to use black paint effectively.

Part of my tutorial on using black. I explain why pure black can sometimes feel unnatural in paintings and show how mixing your own dark tones creates a more realistic and harmonious result.

Here, I share my recipe for a natural, lively black by mixing complementary colors like Ultramarine and Burnt Sienna. This is a key technique I teach for creating depth in your work.

This slide explains the risk of using pure black pigment, which can flatten a painting. I advise using it sparingly unless you are aiming for a specific graphic or monochrome style.

There are times when pure black works. I use this slide to show specific use cases, such as for high-contrast graphic elements or deep shadows in urban scenes.

The main takeaway from my tutorial: using black is a choice, not a rule. It all depends on the effect you want to achieve. Understanding your materials is key to artistic freedom.

About Learn With Me: Demos & Tips

Most people think watercolor needs a dedicated black tube, but I almost never use it. Instead, I mix my own darks using ultramarine and burnt sienna. It keeps the painting alive and avoids that flat, heavy look that ruins a fresh wash. This is the kind of 'quiet chaos' I love teaching—not perfect rules, but simple tricks that make a huge difference in your work.

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