Sketches and Academic Drawing Studies
The raw foundation of my artistic practice. These pencil and mixed media sketches capture the observational studies and academic discipline that shape my finished narrative paintings.
The full drawing of "Destitute of Vision," showing multiple studies of the subject on a single sheet. This is part of my process of exploring a subject from different angles before starting a painting.
A self-portrait in pencil on paper. This is a study in light and shadow, using the texture of the paper and the drapery of the cloth to create a sense of form and rhythm.
A self-portrait from a different period, rendered in pencil. The focus here is on the structure of the face and the texture of the hair, a practice in pure observation.
Another pencil self-portrait, this one more tightly rendered. This type of academic drawing is a crucial exercise for maintaining my observational skills.
A self-portrait sketch in pencil, focusing on capturing a likeness and mood through line work and shading.
A mixed media version of "Destitute of Vision," where the pencil drawing is combined with gold leaf and distressed paper, adding another layer of meaning to the portrait.
About Sketches & Foundational Work
Before I pick up a brush, I spend hours with graphite and paper. Whether you are looking for a commissioned graphite portrait or a private study, the process begins with this same rigor. I focus on anatomy, light, and the honest structure of a subject to ensure the final piece holds physical and emotional weight.
The Discipline of the Sketch
Drawing is the bedrock of my work. While my paintings often deal with complex social themes and emotional narratives, these sketches are where I strip away the color to focus purely on form. When I work on a graphite or charcoal portrait, the goal is to capture the subject's essence through the tension of line and the depth of shadow.
Why Choose Academic Realism
My approach is rooted in the academic realism taught at the J.J. School of Art. This means:
- Anatomical Accuracy: I prioritize the structural integrity of the face and figure, ensuring that every mark serves the overall composition.
- Light and Shadow: I use cross-hatching and varying grades of graphite to create volume on two-dimensional paper.
- Longevity: I work on archival quality, acid-free paper (180 to 250 GSM), ensuring your commission is built to last. Every piece is treated with professional fixative spray to prevent smudging and protect the integrity of the lines.
The Commission Process
If you are interested in a graphite or charcoal portrait, the process is straightforward. We begin with a digital consultation to align our vision. I require a high-resolution reference photo to study the subject’s features. Unlike large-scale acrylic or oil works, these portraits allow for a more intimate focus on the individual, making them a personal and timeless gift or keepsake.
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