Sketchbook & Rapid Portrait Studies
Art is not just about finished canvases. These rapid studies are where I test colors, catch expressions, and keep my brushwork loose and direct.
A time-lapse video of a portrait painting in acrylics. This shows how I build up layers quickly to create a vibrant and expressive portrait.
An acrylic portrait of a "Koli" man, focusing on capturing a strong presence with bold brushwork and a simple, powerful colour palette.
A rapid acrylic sketch on paper. This style is very direct and intuitive, often done without any preliminary drawing.
An acrylic portrait study from my sketchbook, exploring the effects of strong artificial light on the face.
An acrylic portrait of my friend Sunil. The focus here was on capturing his likeness under dramatic lighting.
A colour sketch in acrylics from my sketchbook. These quick studies help me practice capturing skin tones and expressions.
Another acrylic colour sketch with a strong red background, creating a dynamic and energetic portrait.
"Portraits of Sentiment," a series of four experimental acrylic portraits exploring different emotions through colour.
A quick portrait study in watercolours, a medium that requires a fast and confident approach.
A watercolour portrait sketch of a female model, focusing on her expression and the subtle shifts in skin tone.
About Sketchbook & Rapid Studies
Sketching is my daily gym. Unlike my commissioned work, which demands precise planning, these pieces happen fast. I often jump straight onto the paper without an outline, trusting my gut to capture a specific expression or lighting effect. It is raw, immediate, and the best way I know to keep my technique sharp.
Many people ask why I keep painting in my sketchbook even after finishing big commissions. The answer is simple. If you stop practicing, your work loses its soul. Whether I am using acrylics on mount or quick watercolours on paper, these rapid studies allow me to experiment without the pressure of a deadline. You might see a portrait of a friend or a study of artificial light in these images. This is where I test how a specific blue hits a green background, or how I can capture a face with just a few strokes. For you, this means my commissioned work carries the same boldness and energy. If you are looking for an artwork that feels alive rather than static, this is the foundation of how I create it. I am always open to discussing how we can capture your own story or a loved one's likeness using these same techniques.
Sanket Thorat
I am a Mumbai-based artist, grounded by my training at the Sir JJ School of Art. My practice relies on constant observation and the discipline of daily sketching, which is how I keep my brushwork fresh and direct.
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