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Hindustani Classical Vocal Training in Koramangala

bySangeet SadhanaIn-person classes at Koramangala SchoolStarts from3,100 per monthView full gallery

Deepen your connection with Hindustani shastriya sangeet through our traditional Guru-Shishya training in Koramangala. We guide students of all levels, from beginners exploring basic swaras to advanced practitioners mastering complex ragas.

Our students perform a Vilambit Bandish in Raag Brindavani Sarang, accompanied by live tabla. This raag is known for its devotional connection to Krishna, and our students work to capture its rich, expressive character.

Young students attempt a composition in Raag Durga, a popular late-evening raag that evokes devotion. Learning such pentatonic raags helps build a strong foundation in swar and taal for our junior shishyas.

We present our student Anushri Patnaik performing a devotional Meera bhajan during one of our baithak sessions. These intimate concerts provide students with invaluable experience performing with live tabla and harmonium sangat, a crucial step in their musical development.

Students practice a composition in Raag Desh, a raag that evokes the fragrance of the soil and a feeling of patriotism. Our classes focus on merging devotion and artistry, allowing students to connect with the divine through music.

A look into our hybrid classroom, where students attend both online and in person. Here, they are practicing alankars, which are foundational exercises that build pitch accuracy and help in creating various combinations of swars.

Our students and Gurus immersed in the practice of Raag Vrindavani Sarang. This raga, with its delicate and emotive melodies, allows students to express a deep sense of devotion and longing, connecting them to the rich heritage of shastriya sangeet.

About Shastriya Sangeet (Vocal Training)

Unlike standard music academies, we integrate performance into your learning from the very beginning. Every student is encouraged to perform in our monthly baithaks with live tabla accompaniment, bridging the gap between solitary riyaz and the stage.

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