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Flow Art Performances in Scenic Nature Locations

bySwaroop ShettyWorkshops at Yeshwanthpur studio; Travels across Bengaluru & IndiaStarts from750 Per PersonView full gallery

For me, the setting is half the performance. From Hampi’s ancient stone corridors to the quiet of Himalayan peaks, I take flow arts out of the studio and into the wild.

A montage from the Himalayan Flow Gathering. Wilderness, sunsets, hailstorms, and a whole lot of flow. I love traveling for festivals that connect art with nature.

A sunset flow with sock poi at a beautiful temple. The historic setting adds a layer of serenity to this session, which opens with a 3 no-beat toss weave.

A sock poi session at a temple, feeling the force-multiplying power of perpetual optimism. The smooth feel of these props makes practice a joy.

A high-energy performance with colorful silk poi on stage at the Kappa Cultr festival in Kerala. This shows how daytime props can be just as captivating as fire.

A sock poi flow at an ancient temple ruin. The goal is to be present in the moment and not get lost looking for meaning, just enjoying everything that happens.

A quick poi session in a hurry at the Hampi ruins, with security lurking. Sometimes you just have to grab the moment to flow when you can.

A bright yellow poi flow in a temple corridor. The long, symmetrical architecture creates a perfect runway for this walking meditation.

The eye-candy chromatix poi are perfect for practicing throws. Their visibility and balance make them a joy to work with, especially against the backdrop of Hampi's art.

A poi flow in the ancient architecture of Hampi. The stone pillars and carved walls provide such an inspiring setting for a movement meditation.

A fire poi performance at the Himalayan Flow Gathering. This clip captures the energy of flowing outdoors with an audience as dusk settles over the mountains.

About Flow on Location: Travel & Nature

Finding the right spot is not just about the view, it is about the acoustics and the ground surface. When I perform at heritage sites or natural venues, I prioritize minimal impact and blending with the environment. I often scout locations for hours before the light hits just right, ensuring the flow state feels as grounded as the landscape itself.

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