In the Press: Reviews of My Bharatanatyam Performances
I am deeply humbled by the encouragement and thoughtful critiques my performances have received. Here is a glimpse into how critics have engaged with the stories I tell on stage.
A screenshot of the review of my performance in Mangaluru, featured in The Hindu. I am grateful for the critic's words on my footwork and depiction of the narrative.
An excerpt from The Hindu's review, detailing the pieces I performed. It is rewarding when the nuances of the choreography and the depth of the story are appreciated.
Another section of the review from my Mangaluru performance. The critic's detailed description of the abhinaya section shows a deep understanding of the art form.
A review of my performance published on Narthaki.com, a leading portal for Indian dance. Receiving recognition from such a respected platform is truly an honor.
An excerpt from the Narthaki review, describing the opening invocatory piece of my performance. The Dhyana Shloka sets the devotional tone for the entire recital.
This part of the review describes the central piece of my performance, the Varnam. The critic highlights my Guru's innovative choreography and its role in the storytelling.
The review discusses my portrayal of Radha's longing in an Ashtapadi. Embodying the emotional depth of such a classic character is a challenge I embrace as a dancer.
About this collection
Critics often focus on the duality of my performances—the technical precision of the Jathis and the emotional weight of the Abhinaya. It is rewarding when an observer truly connects with the narrative of a Varnam or the simple devotion in a Dhyana Shloka, validating the hours of dedicated practice under my Guru's guidance.
For me, these reviews are not just praise; they are a confirmation that the essence of our tradition—the storytelling, the rhythm, and the bhakti—is reaching the audience exactly as intended.
Publications like The Hindu and Narthaki have highlighted specific aspects of my recitals, from the crisp footwork in traditional pieces to the nuanced portrayal of characters like Radha in Ashtapadis. When a reviewer notes the 'fleeting facial expressions' or the 'seamless harmony' between the dance and live music, it reaffirms that the foundation I received from my Guru, Sri P. Praveen Kumar, creates a genuine connection with the viewer.
Whether it is the portrayal of Lord Krishna's playfulness or the longing of a Nayika in a Varnam, my goal remains constant: to present the richness of the Thanjavur Bani style with honesty. These articles serve as a bridge, helping those who have not seen my work understand the intensity and research that go into every solo performance.
Navyashree K N
I am Navyashree, a Bharatanatyam dancer dedicated to the traditional lineage of my Guru, Sri P. Praveen Kumar. My performances and teaching are a devotional offering, aiming to bring classical stories to life for contemporary audiences.
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