Festival & Large Scale DJ Productions
I bring festival-grade energy to massive crowds. From touring-grade line arrays to LED visuals and smoke, my crew handles every detail so the stage stays on fire.
The view from my console at the Kodakara Shasti festival in Thrissur. The street was packed with people, and the energy was absolutely insane. This is what a large-scale festival feels like.
Another clip from Kodakara Shasti, showing the massive light show and the huge crowd dancing. My team and I can handle the production for the biggest festivals.
The crowd jumping in unison at a massive outdoor show in Kannur. Seeing thousands of people connected by the music is an incredible experience.
The official poster for my performance at the Sarvajanika Ganeshotsavam in Kannur, a huge public festival where I brought my signature sound.
A wide shot of the stage production for a large festival, featuring my custom LED visuals and a full array of lights and effects.
The calm before the storm. A shot of my name on the giant LED screen just before my set begins at a major festival.
The poster for my 'Onam Mood' performance, a special set for the Onam festival celebration, featuring my collaboration with Team Monkz Calicut.
After a massive show with the artist Vedan. Posing for a photo with the crew in front of a sea of people.
Another angle with Vedan and the team. The sheer size of the audience in the background shows the scale of the events I perform at.
A full stage view after the show with Vedan, with my Pioneer DJ console in the foreground and the massive festival crowd behind us.
About Festival & Large Scale Productions
The biggest thing to get right for a crowd of 800+ is the sound dispersion. I don't just show up with speakers; my team brings a flown line array system designed to keep the bass hitting hard at the back of the crowd, not just the front row. We handle the truss rigging, the VJ sync, and the safety checks, so you are not stuck worrying about technical glitches when the drop hits.
Large-scale events are a different beast. You need production that keeps up with the energy, not just a louder volume knob. My festival setups, like the ones I have run for Kodakara Shasti or Ganeshotsav, center around professional flying line array systems—minimum 8 tops—ensuring consistent audio coverage. When you are dealing with hundreds or thousands of people, dead zones are the enemy.
My standard festival rig includes a dedicated VJ and light engineer to sync visuals on 10ft LED walls, ensuring the light show reacts to the beats in real-time. We do not just do music; we do a show. That means CO2 cryo guns, confetti blasts, and the kind of high-octane MCing that turns a regular crowd into a hype machine.
I work exclusively with my crew, Team Monkz Calicut. We have the transport, the rigging crew for safety, and the technical know-how to handle power distribution and stage layouts. Whether it is a temple festival, college fest, or a massive public ground, I bring the gear that handles the pressure.
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